Rebecca Tadman
Queer, crip live art in the post ‘trans tipping point’ era: an archive of affect
Queer, crip live art in the post ‘trans tipping point’ era: an archive of affect
Golden Age; On the contemporary agency of gold
Caribbean Jazz: A Performative Discourse on the Roots, Rhythms, and Reach of Anglophone and Francophone Caribbean Jazz
Designing Accessible Tools for Digital Making
Between Tradition and Innovation: Women's Textiles in Venetia during the Fascist Era (1920s-1940s)
Crowd as Image, Crowd as Process: A contemporary reimagining of the crowd.
Towards a ‘Theory of Taking’: Whiteness and Collectors of Ethnographic Objects in 19th Century North America
Lolita: Fashioning Identity, Liberal Selves and the City
Offensive Speech, Fake News and the Brazilian ‘New Right’
Disrupter or enabler? Assessing the impact of using automatic speech recognition technology in interpreter-mediated legal proceedings
Women’s Movements in Africa: Digital Collective Identity Building and Offline Organising in Ethiopia and Kenya
“West African Writings and Pan-African Networks: Black Periodicals and Print Culture in the Late-Victorian British Empire”
Sound Art and Visual Culture: The Anti-Book Experiment in the Romanov Empire and the USSR, 1881-1932
Representations of Muslim Masculinities in Contemporary British and American Diaspora Novels
Instituent Power: Social Structure and Political Practice in Roberto Esposito and Cornelius Castoriadis
De/Constructing Identity: French, Italian, and British Gay Liberationism in the Long ‘68