Techne students

• 

  Louise Sands

  Art and design

  Kingston University London

  Social Science Fiction the Alternative Reality

• 

  Will Spendlove

  Histories and philosophies

  Kingston University London

  Problem-historical Nature and its Purposiveness

• 

  Alastair Sherwood

  Languages and literatures

  University of Roehampton London

  Seeing the Funny Side: Slapstick, Visuality, and Victorian Literary Form

• 

  Ioanna Sakellaraki

  Histories and philosophies

  Kingston University London

  Archiving the Disaster: Preservation, Separation and Encounter

• 

  Kate Ferry-Swainson

  Languages and literatures

  Royal Holloway University of London

  Clothing matters: Uncovering overlooked aspects of the Holocaust through Charlotte Delbo’s literary representations of garments

• 

  Lauren Shaw

  Media and performance arts

  University of Roehampton London

  Medieval Memory and Legacy in the Cultural Politics of Tudor England

• 

  Rosalind Holgate-Smith

  Media and performance arts

  Kingston University London

  The Vocabulary of Touch: Encountering Otherness through Contact Improvisation

• 

  Sunil Shah

  Media and performance arts

  University of the Arts London

  Documenta 11: Art's Global Entanglement

• 

  Eleftheria Sofroniou

  Languages and literatures

  University of Westminster

  “Making up (for) lost heritage: an ethnographic study of dance, language and identity in London’s Greek Cypriot diaspora”

• 

  Isabel Smith

  Languages and literatures

  Royal Holloway University of London

  Affective Scribal Activity in Medieval Devotional Writing, 1300-1500

• 

  Mandeep Sidhu

  Culture and communications

  University of Brighton

  The Shaheen Bagh Protests (15 December 2019 - 24 March 2020): Coloniality, Epistemic Resistance, and Decoloniality in Present-day BJP-led India

• 

  Tamara Schreiber

  Media and performance arts

  University of Brighton

  Vectors: feminist speculations on technologies of subjecthood, objectification and gender in futuristic sex work

• 

  Carmem Saito

  Art and design

  Loughborough University London

  Sensing Wishlists – A meta-design approach to the development of fashion consumption technologies

• 

  Amy Sheppard

  Media and performance arts

  Kingston University London

  Loss, a practice for making; catalysing new methods for movement practice and performance

• 

  Rosalyn Sklar

  Histories and philosophies

  University of Brighton

  Healing women: Early modern women as healers in their own texts, practices and representations

• 

  Kathleen Slatford

  Culture and communications

  Kingston University London

  Storytelling in Libraries: Making Community

• 

  Ben Stoll

  Culture and communications

  Royal Holloway University of London

  Revisiting Race and Thatcherism: the Second Life of the 1980-85 Uprisings on Screen

• 

  Amy Swainston

  Histories and philosophies

  Royal Holloway University of London

  Commemorating the Equal Franchise Act 1928

• 

  Lex van der Steen

  Histories and philosophies

  University of Brighton

  Reconceptualizing the dispositif for genealogical approaches to biopolitics: on dispensability and interdependency

• 

  Isabel Sykes

  Culture and communications

  Brunel University London

  Media representations and lived experiences of working-class women’s unpaid domestic labour

• 

  Wilma Stone

  Art and design

  University of the Arts London

  Grey Milk and Lost Kin: Re-sounding, Re-visioning, and Re-membering Trauma in the Scottish Gypsy Traveller Archives

• 

  Devika Sharma

  Art and design

  Loughborough University London

  Design Activism – Exploring Creative Repertoires for Public Participation

• 

  Pragya Sharma

  Histories and philosophies

  University of Brighton

  Cultures of Hand-knitting in North India: Provenance, Domesticity and Gendered Learning, c.1850-1980

• 

  Joshua Sadler

  Media and performance arts

  University of Roehampton London

  Undefinable: Performance and the Radical Practice of Generative Neurodiversity

• 

  Clara Searle

  Culture and communications

  Loughborough University London

  Storytelling Personal Collections: A Tool to Dismantle the Concept of the ‘Other Audience’

• 

  Richard Squires

  Art and design

  University of Brighton

  Death-style: An essay film investigation of 1980s images of gay male depravity through the lens of ‘queer negativity’

• 

  Lindsay Sekulowicz

  Histories and philosophies

  University of Brighton

  Collection to Source: Cosmology and Ethnobotanical belongings of the Northwest Amazon

• 

  Mennan Salih

  Languages and literatures

  University of Westminster

  Metaphors for the Social Transformations of Arab Cities: Aleppo, Baghdad, and Jerusalem Through Three Novels

• 

  Max Shirley

  Languages and literatures

  University of Westminster

  (Un)containable Bodies: Experiments in Life-Writing and Form, post-1968

• 

  Julia Schauerman

  Media and performance arts

  University of the Arts London

  Co-composing Acousmatic Stories: Hybrid strategies for exploring change, crisis and community through collaborative creative practice

• 

  Louis Emmitt-Stern

  Media and performance arts

  University of Surrey

  Between The Practice and The Pedagogy of Dramatic Writing: Towards A Cohesive Approach to Training The Contemporary Scriptwriter

• 

  Lolly Sillitoe

  Languages and literatures

  University of Westminster

  Ecohorror and the work of Annie Proulx: Imagining Non-Human Trauma Victims

• 

  Rhiannon Smith

  Media and performance arts

  University of the Arts London

  The Theatricalization of Class in Performance, Policy and Practice.

• 

  Kay Min Soh

  Art and design

  University of Westminster

  Weather as Witness: Political Ecologies of Southeast Asia through a Curatorial Lens