Luke Beesley
On Our Own Behalf: Theory, Strategy, and Practice within the Disabled People’s Movement in Britain
On Our Own Behalf: Theory, Strategy, and Practice within the Disabled People’s Movement in Britain
Immersive Theatre Process & Production: Developing a Capture Methodology for Archiving Digital Storytelling
Autoethnographic exploration of resistance to anti-gay legislation in 80s/90s Brighton.
Crafting counter-hegemony: using porcelain to interrogate constructed ideologies of whiteness and empire
A Postcolonial Investigation of Desiring Homegrown Dating Apps in Contemporary India
Colonial Coral: Design for Decolonising More-than-Human Worlds in the Natural History Museum
Stories Rising to the Surface: Engagement with the Apna Heritage Archive and Punjabi Workers Collection
Sensory Experience in the Contact Zone 1876 - 1938
New Ears for A New Noise. Interrogating Smart City Noise Pollution Through Sound Art
The Significance of Magazine Publishing for Black British Art
Reading as Consumption: Liseuses and Lectrices in the Early Third Republic in France
An Analysis of Muhammad Marmaduke Pickthall’s Intellectual Thought in India; Exploring its Development and Contemporary Significance
Black, British and Feminist: The History and Legacy of Ceddo, Sankofa and the Black Audio Film Collective
Exploration into the features and characteristics of cognitive processing within multimodal “concept/puzzle advertisements”
Aphasia, Reassembly and Resemblance in the Black British poetry of the 21st Century
Italian Blackness: Decolonising the former Museum of the Colonies
Materiality in Comics - Reframing Sequential Function in Graphic Novels by Confronting the Page as Surface
Examining the impact of multisensory language on perception and experience: how can botanic, horticultural or historic gardens use audio description to enhance access for all visitors?
Modalities of the Absolute: Spinoza, Hegel, Marx
The Listening: fictionalising fugitive voices and fragmented lives in the slavery archive