Naomi Dines
Re/materialising the imaginary artefact: exploring the role of digitisation, visualisation and materialisation in object-based art practice.
Re/materialising the imaginary artefact: exploring the role of digitisation, visualisation and materialisation in object-based art practice.
Art fairs and power: an investigation into the post-war history of art fairs from radical beginnings to consolidations of globalised power
I Woz Ere: An Intimate Look at the Forgotten Tower Blocks of the Edinburgh City Skyline
Middle-class subjectivity and moral value in popular British screen fantasy
Crafting a Nation: The role of Art, Craft, and Design in Constructing Post-war Italian Identities
Modular Audio Description: Using the extended track to enable personalisation for different audiences
Reconceptualizing the dispositif for genealogical approaches to biopolitics: on dispensability and interdependency
Voices from the Margins: The Cyborg Concept Album
Living Documents: Embodying the afterimage of art as an agent for new and divergent forms of exhibition documentation
Employing the materiality of clothed bodies to ask for change: the social and political weight of Greenham Women’s dress (1981-2000).
Italian Blackness: Decolonising the former Museum of the Colonies
Priorities, inclusions and exclusions: Non-elite twentieth-century clothing in museum dress collections
The second wave of Arts and Crafts? Craft online: Amateurs, Influencers and Craftivists of Generation Craft
Western Austronesian voice in three Berawan-Lower Baram languages of northern Borneo: Typology, Description and Usage