Naomi Dines
Re/materialising the imaginary artefact: exploring the role of digitisation, visualisation and materialisation in object-based art practice.
Re/materialising the imaginary artefact: exploring the role of digitisation, visualisation and materialisation in object-based art practice.
Figuring Out in Spenser and Late Shakespeare: Obscure Life and Spectatorship
I Woz Ere: An Intimate Look at the Forgotten Tower Blocks of the Edinburgh City Skyline
Voices from the Margins: The Cyborg Concept Album
Crafting a Nation: The role of Art, Craft, and Design in Constructing Post-war Italian Identities
Modular Audio Description: Using the extended track to enable personalisation for different audiences
Reconceptualizing the dispositif for genealogical approaches to biopolitics: on dispensability and interdependency
Cruising the cut: Lesbian histories of mobility and queer futures of boat-dwelling on the UK's canals
Living Documents: Embodying the afterimage of art as an agent for new and divergent forms of exhibition documentation
Employing the materiality of clothed bodies to ask for change: the social and political weight of Greenham Women’s dress (1981-2000).
Western Austronesian voice in three Berawan-Lower Baram languages of northern Borneo: Typology, Description and Usage
L’ Orecchio Teso L’ Occhio Sordo, A Regenerative Curatorial Practice Within The IsIAO Colonial Photographic Archive