Rosannagh Maddock
Fashion at Speed: Spectacular Histories of Fashion, Flying and Motorsport From the Twentieth Century Collections of Brooklands Museum 1907-1939
Fashion at Speed: Spectacular Histories of Fashion, Flying and Motorsport From the Twentieth Century Collections of Brooklands Museum 1907-1939
Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989
Rhythms of Making: Preserving Cultural Knowledge in Shanxi's Craft Communities - Tradition, Technology and Community Practice in Cultural Heritage
Glass architecture and photography in late nineteenth-century storytelling
Who are Cities For? Collaborative tactics and strategies challenging the neoliberal housing system
“The Unconditional Spectator”: Ethnographic Study of Adaptation in Theatre for Young Audiences
rub rub rub rub rub rub brush brush quiver oh hello, you: Queer Captioning as Material
Inclusive Gaming for Gamers with Sight Loss: Exploring Audio Description and Multimodal Mediation
‘What do women activists sound like?’ An exploration of women’s environmental activism in Europe through the lens of community radios
Colonial modernity in Dongdaemun garment district and its fashion production (1910-2014)
Cruising the cut: Lesbian histories of mobility and queer futures of boat-dwelling on the UK's canals
Empathic Listening/Radical Listening: learning from feminist and decolonial contemporary arts practices through artistic research.
Biography and Fashion Collections: Developing a dress-specific acquisition and cataloguing methodology using the Francis Golding Collections
‘Crafting a Life’: examining the role of craft in lesbian dress and textiles through oral history, c.1963-2003
(Re)constructing from the margins: The role of alternative media in building the narrative and memory of social movements
Auditioning the Sonosphere: Live Audio Streaming as Expanded Geo-Practice
Sites of Art Writing: Tonalities in ‘Post-Conflict’ Northern Ireland
Colonial Rhizomes: Knowledge production of southern Africa through archives and displays in museums
‘Calling to theory, calling to bed’: Transpoetics After the Sign
Making, Unmaking and Remaking History: Exhibition Programming at Chisenhale Gallery in the late 1980s
Memory’s Narratives: Considering Fernand Pouillon’s Architectural Approach to Historical Time.
“Lesbian?”... “She no Lebanese. She Punjabi!”: Tracing the experiences of working-class, queer British South Asian women, 1970s to 1990s
Acts of hospitality, the role of ‘guest’ and ‘host’ as art practice
Dyeing to become whole: Indigo dyeing as embodied practice for a more sustainable future
The Covent Garden Ladies: Life Beyond Harris’s List