Cyana Madsen
Biography and Fashion Collections: Developing a dress-specific acquisition and cataloguing methodology using the Francis Golding Collections
Biography and Fashion Collections: Developing a dress-specific acquisition and cataloguing methodology using the Francis Golding Collections
Fashion and Self-Fashioning: Queenly Sartorial Bodies in England and France, 1486-1603
Acts of hospitality, the role of ‘guest’ and ‘host’ as art practice
Feeding the city: Integrated approaches to urban foodways and identities in Roman London
Thinking Affectedly: The Question of Touch in Adorno’s Philosophy
Re-storying the city: applying urban perspectives to eco-storytelling
Fashion at Speed: Spectacular Histories of Fashion, Flying and Motorsport From the Twentieth Century Collections of Brooklands Museum 1907-1939
Making, Unmaking and Remaking History: Exhibition Programming at Chisenhale Gallery in the late 1980s
The Covent Garden Ladies: Life Beyond Harris’s List
Decolonisation guidance and its impact on museum learning practice
“We must carry on”: The Jewish Relief Unit, Displaced Persons and Anglo-Jewish Humanitarianism in Postwar Europe
Colonial Rhizomes: Knowledge production of southern Africa through archives and displays in museums
(Re)constructing from the margins: The role of alternative media in building the narrative and memory of social movements
Auditioning the Sonosphere: Live Audio Streaming as Expanded Geo-Practice
‘What do women activists sound like?’ An exploration of women’s environmental activism in Europe through the lens of community radios
Glass architecture and photography in late nineteenth-century storytelling
Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989
Dyeing to become whole: Indigo dyeing as embodied practice for a more sustainable future
Who are Cities For? Collaborative tactics and strategies challenging the neoliberal housing system
Empathic Listening/Radical Listening: learning from feminist and decolonial contemporary arts practices through artistic research.
Sites of Art Writing: Tonalities in ‘Post-Conflict’ Northern Ireland