Cristina Matei
Thinking Affectedly: The Question of Touch in Adorno’s Philosophy
Thinking Affectedly: The Question of Touch in Adorno’s Philosophy
Glass architecture and photography in late nineteenth-century storytelling
Fashion at Speed: Spectacular Histories of Fashion, Flying and Motorsport From the Twentieth Century Collections of Brooklands Museum 1907-1939
Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989
Who are Cities For? Collaborative tactics and strategies challenging the neoliberal housing system
Fashion and Self-Fashioning: Queenly Sartorial Bodies in England and France, 1486-1603
Re-storying the city: applying urban perspectives to eco-storytelling
(Re)constructing from the margins: The role of alternative media in building the narrative and memory of social movements
Auditioning the Sonosphere: Live Audio Streaming as Expanded Geo-Practice
Sites of Art Writing: Tonalities in ‘Post-Conflict’ Northern Ireland
‘What do women activists sound like?’ An exploration of women’s environmental activism in Europe through the lens of community radios
Empathic Listening/Radical Listening: learning from feminist and decolonial contemporary arts practices through artistic research.
Biography and Fashion Collections: Developing a dress-specific acquisition and cataloguing methodology using the Francis Golding Collections
“We must carry on”: The Jewish Relief Unit, Displaced Persons and Anglo-Jewish Humanitarianism in Postwar Europe
Acts of hospitality, the role of ‘guest’ and ‘host’ as art practice
Dyeing to become whole: Indigo dyeing as embodied practice for a more sustainable future
Decolonisation guidance and its impact on museum learning practice
The Covent Garden Ladies: Life Beyond Harris’s List
Making, Unmaking and Remaking History: Exhibition Programming at Chisenhale Gallery in the late 1980s
Colonial Rhizomes: Knowledge production of southern Africa through archives and displays in museums