Joshua Whitaker
Messianic Adaptation: Pier Paolo Pasolini’s Script for ‘San Paolo’’
Messianic Adaptation: Pier Paolo Pasolini’s Script for ‘San Paolo’’
Masculinity under the Microscope: Nineteenth-Century Naturalism’s Feminine Frame
Second Cities: An Urban Aesthetics of Violence and Politics in Border Literature
Monstrous resurrections: Frankenstein’s legislative legacy
‘Poverty Porn’ in Nineteenth-Century Fiction: Spectacle, Space, Surveillance and the Victorian Imagination
Locating the Function of Theory in New Institutionalism: The Case of MACBA
Translating place: orthography and the problem of place names at the Royal Geographical Society, 1830–1919
An investigation into the aesthetics of community, collaborative and collective filmmaking in the UK focusing on the period 1968-1981
Kant and Clausewitz: A Philosophy of Actuality
A ‘decolonial green’ aesthetic: how roots reggae reflects and constructs Caribbean and Caribbean diasporic listeners’ practices and attitudes towards sustainability.
THE PNEUMATIC ACT: A STUDY OF VOCAL EXPRESSION IN DOCUMENTARY FILM
Reclaiming the city through street art: Street art as an agent of social change in two South American cities
A New World Order: Science, the Mind and the Occult 1918-1939
The making of a quinologist: Cinchona, collections, and science in the work of John Eliot Howard (1807-1883) .