Techne

Techne Alumni

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    Elizabeth Steel

    Languages and literatures
    University of Roehampton London

    The construction of female consciousness in Philip Massinger's Dramatic Canon

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    Kim Starr

    Languages and literatures
    University of the Arts London

    An evaluation of audiodescription as a means of encouraging autistic spectrum disorder audiences to access and engage with the complex emotions portrayed in audiovisual texts

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    Nick Mayhew-Smith

    Histories and philosophies
    University of Roehampton London

    Nature Rituals of the early Medieval Church of Britain: Christian Cosmology and the Conversion of British Landscape from St Ninian to Bede

  • Bridget Smith

    Culture and communications
    Royal College of Art

    Realising the unreal - Swedenborg, photography and vision(s)

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    Catherine Sidwell

    Media and performance arts
    Kingston University London

    Representations of birds in decorative designs for the English domestic interior 1851-1914, with special reference to the work of C.F.A. Voysey

  • Eleanor Suess

    Art and design
    University of the Arts London

    Constructing the architectural moving drawing: transdisciplinary practices between architecture and artists’ film

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    Jo-Anne Sunderland Bowe

    Languages and literatures
    University of Roehampton London

    Object dialogues: Approaches to the use of museums objects in language acquisition and intercultural dialogue with ESOL learners (English for Speakers of Other Languages)

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    Poppy Spowage

    Media and performance arts
    Royal Holloway University of London

    Taking Performance Seriously: an investigation into young people’s performance and radical citizenship in East Africa

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    Rebecca Sutton

    Culture and communications
    University of Roehampton London

    Inside, Outside: Contested Spaces in Young Adult Literature set in Israel/Palestine

  • Stefano Serafini.jpg

    Stefano Serafini

    Languages and literatures
    Royal Holloway University of London

    Degenerate Criminals and Criminologist Detectives: Late-19th Century Gothic and Crime Fiction in Italy and Great Britain

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    Timothy Smith

    Art and design
    University of the Arts London

    Queering of Memory/Temporality/Subjectivity: Subversive Methods in Audiovisual Practice

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    Will Stronge

    Histories and philosophies
    University of Brighton

    What is an intellectual? Foucault, Gramsci and social function

  • Armelle Skatulski

    Art and design
    Royal College of Art

    Archive Sub-versions: Photography, the Accident, and the Logic of Production

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    Claire Louise Staunton

    Media and performance arts
    Royal College of Art

    An investigation into artists’ collaborations with modernist new town masterplanners in the UK between 1955 and 1975, and a curatorial project initiating collaborative practices between artists and masterplanners today

  • Edward Armston-Sheret.jpg

    Edward Armston-Sheret

    Culture and communications
    Royal Holloway University of London

    ‘Wild things in wild places’: British cultures of extreme exploration, 1851–1913

  • Eleanor Slade

    Media and performance arts
    University of Surrey

    Scenography beyond Design

  • Harriet Salisbury.jpg

    Harriet Salisbury

    Media and performance arts
    University of Roehampton London

    We Belong to the Streets - a YA novel about growing up in the East End in the turbulent 1880s

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    Ilona Sagar

    Art and design
    Royal College of Art

    Active bodies difficult objects: The language of health and wellbeing in a new bio-political era

  • Sylvia Solakidi.jpg

    Sylvia Solakidi

    Media and performance arts
    University of Surrey

    From non-time to the presence of a timescape: transformations of the experience of contemporaneity in durational theatre and performance.

  • Tommaso Speretta.jpg

    Tommaso Speretta

    Culture and communications
    University of the Arts London

    Alternative AIDS Video: the representation of the AIDS crisis in independent art video and film in the 1980s and 1990s London–New York

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    Jenny Swingler

    Media and performance arts
    University of Roehampton London

    Writing for performance as an ecological practice in a postmedial age

  • Jonas Schnor.jpg

    Jonas Schnor

    Media and performance arts
    University of Surrey

    Performative Imperceptibility - Deleuze, Dramaturgy, and Performance Philosophy

  • Morteza Samanpour

    Histories and philosophies
    Kingston University London

    Marx’s Critique of Political Economy as a Social Ontology: Totality, Alienation and History

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    Charlotte Samuels

    Media and performance arts
    Kingston University London

    Denise Wren and the Knox Guild of Design and Craft: Shifting the story of interwar studio ceramics from pot to process

  • Lenka Soukupova.jpg

    Lenka Soukupova

    Histories and philosophies
    Royal Holloway University of London

    A realist philosophy of time between physics and metaphysics

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    Charlene Sharp

    Languages and literatures
    University of Westminster

    How successfully do different kinds of storytelling engage audiences with the complexities of the Anthropocene?

  • Christina Skarpari.jpg

    Christina Skarpari

    Art and design
    University of the Arts London

    Tangible Changes in Intangible Cultural Heritage Preservation: Using experience-based co-design to inform cultural policy-making practice.

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    Nick Swain

    Histories and philosophies
    University of Roehampton London

    Inequality in Restoration England: Status, Occupation and Wealth in the Town and Countryside

  • Yvonne Canham-Spence.jpg

    Yvonne Canham-Spence

    Languages and literatures
    University of Brighton

    Carnival of the self: an autoethnographic poetics of a doctoral researcher poet's identity articulations within diasporic Caribbean spaces