Techne

Techne Alumni

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    Alistair Cameron

    Culture and communications
    Kingston University London

    Visionary Kingdom: Media, History and the Plane of Delirium

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    Ian Cantoni

    Histories and philosophies
    University of Brighton

    Camp de Rivesaltes: A topography of French Cultural Memory

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    Jenna Collins

    Art and design
    Kingston University London

    Involuntary and Irregular: An interdisciplinary study of trembling, the trembling body and narratives of trembling through moving image practice

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    Jennie Cole

    Media and performance arts
    Royal Holloway University of London

    A Citational Poetics

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    Lars Cornelisen

    Histories and philosophies
    University of Brighton

    The Ignorant Demos: The incompatibility of Neoliberalism and Democracy

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    Lucy Coggle

    Art and design
    Kingston University London

    Shimmering the Screen - Surface tension and perpetual vacillation in the digital image

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    Miranda Clow

    Art and design
    Royal College of Art

    The immaterial Design Practice of Insurance from 1680 to the Present

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    Neal Cahoon

    Media and performance arts
    University of Roehampton London

    Sound Design for the Contemporary Novel: Applying the Poetics of John Cage to Digital Prose Fiction

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    Rachel Cattle

    Art and design
    Kingston University London

    I am a Stylus: Play, Erase, Replay and Overdub as Strategies for Contemporary Fine Art Practice

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    Ursula Clayton

    Languages and literatures
    Royal Holloway University of London

    'Time's Flies': Shakespeare's Parasites

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    Alice Colquhoun

    Media and performance arts
    University of Roehampton London

    Diffracting the doldrums: performing feminist new materialisms in the everyday

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    Frances Casey

    Culture and communications
    University of Brighton

    Gendered identities and the role of needlecrafts in Britain on the home front during and after the First World War, 1914-1925

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    Samuel Cutting

    Languages and literatures
    University of Brighton

    Complex machines: representations of technology in early twenty-first century fiction

  • Borja Herce Calleja

    Languages and literatures
    University of Surrey

    Morphological clashes: a typological perspective

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    Mary Kate Connolly

    Media and performance arts
    University of Roehampton London

    Proposing alternative after-lives for costumes of the dance stage

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    Mollie Clarke

    Languages and literatures
    University of Roehampton London

    Female Cross-Dressing, Genre and Popular Literary Forms from 1830 to 1900

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    Robin Craig

    Languages and literatures
    University of Roehampton London

    Assimilation or Resistance: The Medicalised Body in 21st Century

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    William Coles

    Histories and philosophies
    Royal Holloway University of London

    Ambassadorial Speeches in the Hellenistic Period: The Evidence of Polybios and Inscriptions

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    Lucía Camacho Acevedo

    Media and performance arts
    Royal Holloway University of London

    Musical Texture: A Historical and Analytical Approach in Relation to Music by Alban Berg and Igor Stravinsky

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    Sunil Chandy

    Art and design
    University of the Arts London

    Hearing Plurality in Scripture: Using Sound Art Practice to draw out pluralities implicit in the ritual public reading of Christian Scripture

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    Katherine Crosson

    Languages and literatures
    Royal Holloway University of London

    Play for Today at 50: Contexts and Legacies

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    Giulia Casalini

    Media and performance arts
    University of Roehampton London

    Counter-histories of Queer-feminist Live Art: A Transversal Cartography

  • Yvonne Canham-Spence.jpg

    Yvonne Canham-Spence

    Languages and literatures
    University of Brighton

    Carnival of the self: an autoethnographic poetics of a doctoral researcher poet's identity articulations within diasporic Caribbean spaces