Joshua Whitaker
Messianic Adaptation: Pier Paolo Pasolini’s Script for ‘San Paolo’’
Messianic Adaptation: Pier Paolo Pasolini’s Script for ‘San Paolo’’
Masculinity under the Microscope: Nineteenth-Century Naturalism’s Feminine Frame
Locating the Function of Theory in New Institutionalism: The Case of MACBA
Translating place: orthography and the problem of place names at the Royal Geographical Society, 1830–1919
Second Cities: An Urban Aesthetics of Violence and Politics in Border Literature
Monstrous resurrections: Frankenstein’s legislative legacy
‘Poverty Porn’ in Nineteenth-Century Fiction: Spectacle, Space, Surveillance and the Victorian Imagination
Kant and Clausewitz: A Philosophy of Actuality
An investigation into the aesthetics of community, collaborative and collective filmmaking in the UK focusing on the period 1968-1981
A ‘decolonial green’ aesthetic: how roots reggae reflects and constructs Caribbean and Caribbean diasporic listeners’ practices and attitudes towards sustainability.
The making of a quinologist: Cinchona, collections, and science in the work of John Eliot Howard (1807-1883) .
THE PNEUMATIC ACT: A STUDY OF VOCAL EXPRESSION IN DOCUMENTARY FILM
Reclaiming the city through street art: Street art as an agent of social change in two South American cities
A New World Order: Science, the Mind and the Occult 1918-1939