Techne Alumni

• 

  Heather Craddock

  Art and design

  University of Roehampton London

  Kew’s Imperial Archive: Cataloguing Economic Botany in the Miscellaneous Reports, 1841-1928

   

• 

  Vicens Colomer

  Languages and literatures

  University of Roehampton London

  Using reflective sociocultural e‐portfolios in a non‐immersion language learning context

• 

  Lars Cornelisen

  Histories and philosophies

  University of Brighton

  The Ignorant Demos: The incompatibility of Neoliberalism and Democracy

• 

  William Coles

  Histories and philosophies

  Royal Holloway University of London

  Ambassadorial Speeches in the Hellenistic Period: The Evidence of Polybios and Inscriptions

• 

  Katherine Crosson

  Languages and literatures

  Royal Holloway University of London

  Play for Today at 50: Contexts and Legacies

• 

  Rachel Cattle

  Art and design

  Kingston University London

  I am a Stylus: Play, Erase, Replay and Overdub as Strategies for Contemporary Fine Art Practice

• 

  Jenna Collins

  Art and design

  Kingston University London

  Involuntary and Irregular: An interdisciplinary study of trembling, the trembling body and narratives of trembling through moving image practice

• 

  Robin Craig

  Languages and literatures

  University of Roehampton London

  Assimilation or Resistance: The Medicalised Body in 21st Century

• 

  Julien Clin

  Languages and literatures

  Kingston University London

  Belonging in the City: Poetics of Place as Acts of Resistance Against Hyper-Commodification

• 

  Samuel Cutting

  Languages and literatures

  University of Brighton

  Complex machines: representations of technology in early twenty-first century fiction

• 

  Mollie Clarke

  Languages and literatures

  University of Roehampton London

  Female Cross-Dressing, Genre and Popular Literary Forms from 1830 to 1900

• 

  Sunil Chandy

  Art and design

  University of the Arts London

  Hearing Plurality in Scripture: Using Sound Art Practice to draw out pluralities implicit in the ritual public reading of Christian Scripture

• 

  Russell Christie

  Languages and literatures

  Brunel University London

  Chrysalis Boy - An Autoethnographic Investigation Of The Workings Of Exclusion

• 

  Alice Colquhoun

  Media and performance arts

  University of Roehampton London

  Diffracting the doldrums: performing feminist new materialisms in the everyday

• 

  Phoebe Clothier

  Histories and philosophies

  Royal Holloway University of London

  'Wonderful and Astonishing Occurrences’: The Miraculous and Wondrous in William of Newburgh’s Historia rerum Anglicarum 

• 

  Anne-Marie Cundy

  Media and performance arts

  University of Surrey

  Ways of Knowing: Multimodality in Violin Practice

• 

  Marina Castledine

  Media and performance arts

  University of Brighton

  Developing the disappearing art of Lefkaritika into a community pedagogy, in order to witness the silences in marginalised women’s lives

• 

  Ian Cantoni

  Histories and philosophies

  University of Brighton

  Camp de Rivesaltes: A topography of French Cultural Memory

• Borja Herce Calleja

  Languages and literatures

  University of Surrey

  Morphological clashes: a typological perspective

• 

  Lucía Camacho Acevedo

  Media and performance arts

  Royal Holloway University of London

  Musical Texture: A Historical and Analytical Approach in Relation to Music by Alban Berg and Igor Stravinsky

• 

  Elizabeth Cufley

  Culture and communications

  University of Westminster

  Distribution as Political Action: Investigation of the production, promotion and distribution of feminist moving-image/performative art practices in the UK 1979-present

• 

  Miranda Clow

  Art and design

  Royal College of Art

  The immaterial Design Practice of Insurance from 1680 to the Present

• 

  Ursula Clayton

  Languages and literatures

  Royal Holloway University of London

  'Time's Flies': Shakespeare's Parasites

• 

  Jennie Cole

  Media and performance arts

  Royal Holloway University of London

  A Citational Poetics

• 

  Mary Kate Connolly

  Media and performance arts

  University of Roehampton London

  Proposing alternative after-lives for costumes of the dance stage

• 

  Nicholas Clifton

  Histories and philosophies

  Kingston University London

  Empire, Collusion, Terror and Anglo-Irish Relations, 1966-1998

• 

  Stefano Carnelli

  Culture and communications

  Royal Holloway University of London

   Visualising intangible Sacred Spaces: the materialities and ephemerality of Orthodox Jewish ritual enclosures

   

• 

  Nichola Hall Clarke

  Culture and communications

  Kingston University London

  In/visible dances: Commuters’ choreographies as social cartography

• 

  Neal Cahoon

  Media and performance arts

  University of Roehampton London

  Sound Design for the Contemporary Novel: Applying the Poetics of John Cage to Digital Prose Fiction

• 

  Frances Casey

  Culture and communications

  University of Brighton

  Gendered identities and the role of needlecrafts in Britain on the home front during and after the First World War, 1914-1925

• 

  Felix Clutson

  Languages and literatures

  University of Surrey

  Mia san Mia and Bergkamp in Marseille: Language and identity in football locales

• 

  Lucy Coggle

  Art and design

  Kingston University London

  Shimmering the Screen - Surface tension and perpetual vacillation in the digital image

• 

  Alistair Cameron

  Culture and communications

  Kingston University London

  Visionary Kingdom: Media, History and the Plane of Delirium

• 

  Giulia Casalini

  Media and performance arts

  University of Roehampton London

  Counter-histories of Queer-feminist Live Art: A Transversal Cartography