Jessie Akambadi
They Still Call it Africa: interrogating corruption using theatre archives and participatory filmmaking
They Still Call it Africa: interrogating corruption using theatre archives and participatory filmmaking
Documenting Resistance through Food: A Study of Twentieth-Century Dalit Literature
'Two men on a summer night, with nowhere to call their own': ‘Affective Precarity’ in British Gay Men's Contemporary Fiction
Queer Immortality: The creation, collection, preservation and distribution of LGBTQ+ histories through Small Art and participatory DIY artistic initiatives.
Fragmented Bodies, Fragmented Stories: Exploring Endometriosis Through Multidisciplinary Creative Practice to Challenge Cultural Narratives of Women's Pain
Concrete Abstractions: Film Criticism and Dialectical Thought
The Real Monster in ‘Sleeping Beauty’: An Examination of Aurora through the ‘Faces’ of the Monstrous-Feminine
Travelling Circus Animals: traversing boundaries of performer, pet and property 1822-1925
Generative AI and Composing Musical Narrative
Parataxis and being within Cities - an investigation into minority experience and production of space within Dawson’s Height Estate
Queer Whores: Embodied Knowledge and Performance Practices in Sex Work
Between Poison and Cure: Formal Innovation and its Ethical Dilemmas in Writing “Invisible” Chronic Illness
‘I have come to claim / Marilyn Monroe’s body’: Exploring Identification through Star Images in American Lyric Poetry.
The Dynamics of Development: An Analysis of the Operation and Influence of Filmmaking Laboratories and Workshops.
Cruising the cut: Lesbian histories of mobility and queer futures of boat-dwelling on the UK's canals
Figuring Out in Spenser and Late Shakespeare: Obscure Life and Spectatorship
Reaching to the stars: astrology and the body in the past, present and future
Dirty Work: Latin American Horror and the Invisible Violence of Domestic Servitude
Black British History, Inclusive Teaching and Curriculum Reform
Painting Critical-Creative Writing: J. M. Barrie, F. Scott Fitzgerald, and Zelda
Costume-Generated Performance as Praxis: Costume Encounters with Kashubian Material Culture from a Diasporic Standpoint
Negotiating virtual spaces: Exploring the intersection of young people’s behaviour and identity across virtual and physical worlds through ethnographic filmmaking
Tending to Black Life, Death, and Resistance in the Community Archive: Artist as Archivist / Activist / Care-Worker
Animals as builders: Exploring animal buildings as sites of agency, rights, and politics
From the Ground Up: An Exploration of a Purbeck Quarry’s Leftover Materials
Cleopatra Stories and Community Engagement
Inclusive Gaming for Gamers with Sight Loss: Exploring Audio Description and Multimodal Mediation
Playing the Fool: Reappraising foolishness through joyful, intersectional performative practice
Selling Shippam's: Food Consumption, Visuality and Post-War Culture
Epistemological Fusion in Ethiopian Education: Imagining a Decolonial Approach to Childhood
An Archive of Fairies: Modernism, Fantasy, and Shy Ephemera 1890-1930
Cinephilia’s “Horizontal Terrain”: Exploring Chinese Digital Cinephile Culture Through Pinglun
Rhythms of Making: Preserving Cultural Knowledge in Shanxi's Craft Communities - Tradition, Technology and Community Practice in Cultural Heritage
“Lesbian?”... “She no Lebanese. She Punjabi!”: Tracing the experiences of working-class, queer British South Asian women, 1970s to 1990s
Memory’s Narratives: Considering Fernand Pouillon’s Architectural Approach to Historical Time.
‘Calling to theory, calling to bed’: Transpoetics After the Sign
‘Crafting a Life’: examining the role of craft in lesbian dress and textiles through oral history, c.1963-2003
“The Unconditional Spectator”: Ethnographic Study of Adaptation in Theatre for Young Audiences
rub rub rub rub rub rub brush brush quiver oh hello, you: Queer Captioning as Material
Colonial modernity in Dongdaemun garment district and its fashion production (1910-2014)
Signing Sound: Deaf Gain within Inclusive Co-Created Audio Descriptions of Museum Experiences
Publishing Feminism: Poli Gynaikon, Feminist Media, and the Transnational Exchange of Ideas
Silence from the archive: How can archives inform an original method of blackout poetry seeking to ethically remember the Holocaust?
Curating a Diasporic Archive in the Elsewhere: A Critical and Creative Exploration of Recovering, Dismantling, and Re-Imagining the Diasporic Space
Missing Mavigraphs: Investigating the Lost Potentials of Thermographic & Electromagnetic Video Printing Systems
Echoes in the Anthropocene: ecological sound art and ecosocialist activism in Brazil
‘Cleaving’ Queer Aesthetics: Contemporary Indian Performance at the Intersections of Caste, Gender and Sexual Politics.
Revealing gender bias in generative AI through embodied and choreographic practices
Through an Embodied Practice of Stillness
Internal noise: choreographing with and from affective states
Wired for the War?: The Role of British Telegraphy and Communication Networks in World War II
“Non-vegetarian” food: Mapping contestations over the consumption of meat, fish and eggs in the culinary cultures of Ahmedabad, India
Performing Pain: How Stand-Up Comedy Functions as an Autobiographical Performative Act of Self-Authorship and Resistance in Narrating Disability and Pain
Complexity Theory’s Potential For Creative Writing: Open Systems, Nonlinearity, Chaos And Emergence In The Twenty-First Century Trauma Novel
Laws of Empire and Nation: Legal Assimilation and Subjugation in Alsace and Lorraine Under French and German Rule, 1852-1939
A Feminist Critique of the Veterinary Industry: working towards improved human and non-human welfare.
Designing Accessible Tools for Digital Making
Crowd as Image, Crowd as Process: A contemporary reimagining of the crowd.
Bridging the gap between affective and linguistic processing in foreign language learners
Reclaiming Nüshu: A participatory method to reinterpret a Women’s Hidden Script in Rural China
Acoustic Agency: Reimagining Mental Health Spaces through Sound and Art