Alastair Sherwood
Seeing the Funny Side: Slapstick, Visuality, and Victorian Literary Form
Seeing the Funny Side: Slapstick, Visuality, and Victorian Literary Form
'In Limbo': staging the gap between personal and public narratives of home of Georgian Internally Displaced People
The making of a global arboretum: the case of the Royal Botanic Gardens, Kew
New Ears for A New Noise. Interrogating Smart City Noise Pollution Through Sound Art
Rhythm Divisions: An exploration of methods for collecting and curating British Youth Culture Heritage: music, archive, memories (1950 - 2020)
Archiving the Disaster: Preservation, Separation and Encounter
The 'Lost' Museum: The rise and fall of the British Empire in objects
Lolita: Fashioning Identity, Liberal Selves and the City
A Design History of Technological Responses to Food Sustainability Challenges in the UK since 1970
Re/materialising the imaginary artefact: exploring the role of digitisation, visualisation and materialisation in object-based art practice.
The Role of Keats House in the Twenty-First Century Reception and Reputation of John Keats
Cold Love: Can screened depictions of love between humans and robots legitimately contribute to debates regarding socio-ethical implications of HRI
Reasonable men might have acted likewise: a practice-based investigation of the Strangeways Prison protest
Fashion at Speed: Spectacular Histories of Fashion, Flying and Motorsport From the Twentieth Century Collections of Brooklands Museum 1907-1939
An Analysis of Muhammad Marmaduke Pickthall’s Intellectual Thought in India; Exploring its Development and Contemporary Significance
Microhistories of the Holocaust and the Use of Family History: The Families Ganz / Brenzinger, c1871 - 1945
Vibrational kinship: Resonances of moving, sounding and listening bodies
Documenta 11: Art's Global Entanglement