Sophie Carapetian
The Work of Art in the Age of Crisis: Interrogating the ‘Labour Turn’ in the Culture Industries.
The Work of Art in the Age of Crisis: Interrogating the ‘Labour Turn’ in the Culture Industries.
Empathic Listening/Radical Listening: learning from feminist and decolonial contemporary arts practices through artistic research.
Biography and Fashion Collections: Developing a dress-specific acquisition and cataloguing methodology using the Francis Golding Collections
Screen-to-measure: A practice-based, archival and textual investigation of Edith Head’s film costume designs in 1940s ‘film noir’
Embodied AI and Distributed Intelligence: Being Human in the Age of Accelerated Innovation
Evaluating brand activism and social change across stakeholders
Acts of hospitality, the role of ‘guest’ and ‘host’ as art practice
The War of Naming the Problem: Black Audio Film Collective and Political Aesthetics
Human Hair as a Regenerative Material Resource: utilising protein fibre waste in the circular bioeconomy through interdisciplinary collaborative design practice
New Ears for A New Noise. Interrogating Smart City Noise Pollution Through Sound Art
Internal noise: choreographing with and from affective states
Immersive Theatre Process & Production: Developing a Capture Methodology for Archiving Digital Storytelling
Unattributable Briefs: Painting and Drawing Black Resistance Histories in the English speaking Caribbean, 1969-1974
Queer Whores: Embodied Knowledge and Performance Practices in Sex Work
Making, Unmaking and Remaking History: Exhibition Programming at Chisenhale Gallery in the late 1980s
The Significance of Magazine Publishing for Black British Art
Listening in Socially-Engaged Art: Artistic Strategies for Equitable Collaboration
Episodic self-display and shifting modes of address: Performing identity in artists' moving image in a neoliberal era of post-truth
Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989
Re/materialising the imaginary artefact: exploring the role of digitisation, visualisation and materialisation in object-based art practice.
Designing Accessible Tools for Digital Making
The notational: mental health and female identity in the diary films of Anne Charlotte Robertson
Co-composing Acousmatic Stories: Hybrid strategies for exploring change, crisis and community through collaborative creative practice
Documenta 11: Art's Global Entanglement
A practice-based autobiographical investigation of the fashion material culture of Caribbean female couturiers from the 1930s to the present day
Missing Mavigraphs: Investigating the Lost Potentials of Thermographic & Electromagnetic Video Printing Systems
Reclaiming Nüshu: A participatory method to reinterpret a Women’s Hidden Script in Rural China
Human-Computer Counter-Choreographies