Chinoiserie Outside China 1945-present: How have British Chinese people experienced and demonstrated their relationship to their Chinese heritage through dress?
Problem-historical Nature and its Purposiveness
The Work of Art in the Age of Crisis: Interrogating the ‘Labour Turn’ in the Culture Industries.
Screen-to-measure: A practice-based, archival and textual investigation of Edith Head’s film costume designs in 1940s ‘film noir’
Empathic Listening/Radical Listening: learning from feminist and decolonial contemporary arts practices through artistic research.
Biography and Fashion Collections: Developing a dress-specific acquisition and cataloguing methodology using the Francis Golding Collections
New Ears for A New Noise. Interrogating Smart City Noise Pollution Through Sound Art
Embodied AI and Distributed Intelligence: Being Human in the Age of Accelerated Innovation
Acts of hospitality, the role of ‘guest’ and ‘host’ as art practice
The War of Naming the Problem: Black Audio Film Collective and Political Aesthetics
Grey Milk and Lost Kin: Re-sounding, Re-visioning, and Re-membering Trauma in the Scottish Gypsy Traveller Archives
Immersive Theatre Process & Production: Developing a Capture Methodology for Archiving Digital Storytelling
Human Hair as a Regenerative Material Resource: utilising protein fibre waste in the circular bioeconomy through interdisciplinary collaborative design practice
The Aesthetic Vocabulary of Black Women's Experimental Work in Practice and Performance
Evaluating brand activism and social change across stakeholders
Episodic self-display and shifting modes of address: Performing identity in artists' moving image in a neoliberal era of post-truth
Unattributable Briefs: Painting and Drawing Black Resistance Histories in the English speaking Caribbean, 1969-1974
Making, Unmaking and Remaking History: Exhibition Programming at Chisenhale Gallery in the late 1980s
The Significance of Magazine Publishing for Black British Art
Materiality in Comics - Reframing Sequential Function in Graphic Novels by Confronting the Page as Surface
Re/materialising the imaginary artefact: exploring the role of digitisation, visualisation and materialisation in object-based art practice.
The notational: mental health and female identity in the diary films of Anne Charlotte Robertson
Co-composing Acousmatic Stories: Hybrid strategies for exploring change, crisis and community through collaborative creative practice
Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989
Listening in Socially-Engaged Art: Artistic Strategies for Equitable Collaboration
A practice-based autobiographical investigation of the fashion material culture of Caribbean female couturiers from the 1930s to the present day
‘Messianic Adaptation: Pier Paolo Pasolini’s Script for ‘San Paolo’’
Documenta 11: Art's Global Entanglement
Human-Computer Counter-Choreographies