Chinoiserie Outside China 1945-present: How have British Chinese people experienced and demonstrated their relationship to their Chinese heritage through dress?
The Work of Art in the Age of Crisis: Interrogating the ‘Labour Turn’ in the Culture Industries.
Screen-to-measure: A practice-based, archival and textual investigation of Edith Head’s film costume designs in 1940s ‘film noir’
Embodied AI and Distributed Intelligence: Being Human in the Age of Accelerated Innovation
Empathic Listening/Radical Listening: learning from feminist and decolonial contemporary arts practices through artistic research.
Biography and Fashion Collections: Developing a dress-specific acquisition and cataloguing methodology using the Francis Golding Collections
New Ears for A New Noise. Interrogating Smart City Noise Pollution Through Sound Art
Acts of hospitality, the role of ‘guest’ and ‘host’ as art practice
The War of Naming the Problem: Black Audio Film Collective and Political Aesthetics
The Aesthetic Vocabulary of Black Women's Experimental Work in Practice and Performance
Human Hair as a Regenerative Material Resource: utilising protein fibre waste in the circular bioeconomy through interdisciplinary collaborative design practice
Immersive Theatre Process & Production: Developing a Capture Methodology for Archiving Digital Storytelling
Grey Milk and Lost Kin: Re-sounding, Re-visioning, and Re-membering Trauma in the Scottish Gypsy Traveller Archives
Episodic self-display and shifting modes of address: Performing identity in artists' moving image in a neoliberal era of post-truth
Unattributable Briefs: Painting and Drawing Black Resistance Histories in the English speaking Caribbean, 1969-1974
Evaluating brand activism and social change across stakeholders
The Significance of Magazine Publishing for Black British Art
Materiality in Comics - Reframing Sequential Function in Graphic Novels by Confronting the Page as Surface
Re/materialising the imaginary artefact: exploring the role of digitisation, visualisation and materialisation in object-based art practice.
The notational: mental health and female identity in the diary films of Anne Charlotte Robertson
Co-composing Acousmatic Stories: Hybrid strategies for exploring change, crisis and community through collaborative creative practice
Listening in Socially-Engaged Art: Artistic Strategies for Equitable Collaboration
Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989
A practice-based autobiographical investigation of the fashion material culture of Caribbean female couturiers from the 1930s to the present day
Documenta 11: Art's Global Entanglement
‘Messianic Adaptation: Pier Paolo Pasolini’s Script for ‘San Paolo’’
Human-Computer Counter-Choreographies