Chinoiserie Outside China 1945-present: How have British Chinese people experienced and demonstrated their relationship to their Chinese heritage through dress?
The Work of Art in the Age of Crisis: Interrogating the ‘Labour Turn’ in the Culture Industries.
Biography and Fashion Collections: Developing a dress-specific acquisition and cataloguing methodology using the Francis Golding Collections
Acts of hospitality, the role of ‘guest’ and ‘host’ as art practice
The War of Naming the Problem: Black Audio Film Collective and Political Aesthetics
Screen-to-measure: A practice-based, archival and textual investigation of Edith Head’s film costume designs in 1940s ‘film noir’
Embodied AI and Distributed Intelligence: Being Human in the Age of Accelerated Innovation
Empathic Listening/Radical Listening: learning from feminist and decolonial contemporary arts practices through artistic research.
The Postatomic Ear: A practice-based study of sound and atmospheric effects in the Nuclear Age
New Ears for A New Noise. Interrogating Smart City Noise Pollution Through Sound Art
Materiality in Comics - Reframing Sequential Function in Graphic Novels by Confronting the Page as Surface
Immersive Theatre Process & Production: Developing a Capture Methodology for Archiving Digital Storytelling
Human Hair as a Regenerative Material Resource: utilising protein fibre waste in the circular bioeconomy through interdisciplinary collaborative design practice
Grey Milk and Lost Kin: Re-sounding, Re-visioning, and Re-membering Trauma in the Scottish Gypsy Traveller Archives
Episodic self-display and shifting modes of address: Performing identity in artists' moving image in a neoliberal era of post-truth
The Aesthetic Vocabulary of Black Women's Experimental Work in Practice and Performance
Evaluating brand activism and social change across stakeholders
Listening in Socially-Engaged Art: Artistic Strategies for Equitable Collaboration
Co-composing Acousmatic Stories: Hybrid strategies for exploring change, crisis and community through collaborative creative practice
Re/materialising the imaginary artefact: exploring the role of digitisation, visualisation and materialisation in object-based art practice.
‘Messianic Adaptation: Pier Paolo Pasolini’s Script for ‘San Paolo’’
Unattributable Briefs: Painting and Drawing Black Resistance Histories in the English speaking Caribbean, 1969-1974
The Significance of Magazine Publishing for Black British Art
A practice-based autobiographical investigation of the fashion material culture of Caribbean female couturiers from the 1930s to the present day
Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989
The notational: mental health and female identity in the diary films of Anne Charlotte Robertson
Documenta 11: Art's Global Entanglement
Human-Computer Counter-Choreographies