Cristina Matei
Thinking Affectedly: The Question of Touch in Adorno’s Philosophy
Thinking Affectedly: The Question of Touch in Adorno’s Philosophy
Writing a lens: how might the formal structures of the film archive be subverted through fictioning within artist moving image?
Living Documents: Embodying the afterimage of art as an agent for new and divergent forms of exhibition documentation
Golden Age; On the contemporary agency of gold
Eadweard Muybridge: A study of his work and legacy through an inter-institutional evaluation of the Kingston Museum bequest and other collections
In/visible dances: Commuters’ choreographies as social cartography
Queer, crip live art in the post ‘trans tipping point’ era: an archive of affect
Lolita: Fashioning Identity, Liberal Selves and the City
Intersectionality in Contemporary Black British Women’s Short Fiction
Italian Blackness: Decolonising the former Museum of the Colonies
Sagacho Exhibit Space: analysing innovations in art, systems and culture at Japan's pioneering alternative space, across the 1980s and 1990s
Rhythm Divisions: An exploration of methods for collecting and curating British Youth Culture Heritage: music, archive, memories (1950 - 2020)
Developing semi-permanent design displays in an era of rapid climate change
Voices from the Margins: The Cyborg Concept Album
Neuro-Gothic: a new history of madness
Refugee Art Dealers in London: New Artists, Networks and Approaches, 1933-1960
Problem-historical Nature and its Purposiveness
Art fairs and power: an investigation into the post-war history of art fairs from radical beginnings to consolidations of globalised power
Art Biennials: Towards an Alternative Curatorial Logic
Reasonable men might have acted likewise: a practice-based investigation of the Strangeways Prison protest
Exploring nature-fashion partnerships using collective crafting with Indian textile artisans
Breaking the gender and identity boundaries of the symphonic form during the 20th century and beyond
A Design History of Technological Responses to Food Sustainability Challenges in the UK since 1970
Social Science Fiction the Alternative Reality
Sustainability in the Making: Craft Programmes for Socio-Ecological Change
Peripheral Visions: Reframing the margins in Film and Film Festival ecologies
Flipped Hierarchies: Exploring Narrative Metalepsis As A Radical Critical Tool Through Artists’ Moving Image Practice
The Materiality of Digital Music: An Assemblage of Musicians and Vital Materials
Storytelling in Libraries: Making Community
Fashion at Speed: Spectacular Histories of Fashion, Flying and Motorsport From the Twentieth Century Collections of Brooklands Museum 1907-1939
Loss, a practice for making; catalysing new methods for movement practice and performance
Rethinking Birth and Maternity as Philosophical Categories: Hannah Arendt’s Notion of Natality in Dialogue with Contemporary Feminist Thought
Archiving the Disaster: Preservation, Separation and Encounter
Belonging in the City: Poetics of Place as Acts of Resistance Against Hyper-Commodification
From Hargeisa to London: A living sound archive of Somalis in Britain
Who is the Subject of Intersectionality? Intersectional Feminism and Structuralist Philosophies of the Subject
Modalities of the Absolute: Spinoza, Hegel, Marx
The ‘Golden Chain’? - Tradition as a Philosophical Problem
The Vocabulary of Touch: Encountering Otherness through Contact Improvisation
Entangling Umwelten: Towards a New Ecology of Moving Images and Nonhuman Worlds
Queer as Friends: rewriting the platonic-romantic relationship binary between women
Against Ecology: Law, Ethics, and Activism on a Dynamic Planet
The garden as a site to cultivate queer anti-racist communities
Making, Unmaking and Remaking History: Exhibition Programming at Chisenhale Gallery in the late 1980s
Curating Urban Futures: Urban Farming and Meanwhile Tactics in the Context of Urban Regeneration Strategies
Dance and the re-articulation of value: Embodied pathways to sustainability
Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas
Who are Cities For? Collaborative tactics and strategies challenging the neoliberal housing system
Sound Art and Visual Culture: The Anti-Book Experiment in the Romanov Empire and the USSR, 1881-1932
The Socialist Being of a Thing: The Concepts of Object and Structure in Soviet Constructivism and Bruno Latour's Legacy
I Woz Ere: An Intimate Look at the Forgotten Tower Blocks of the Edinburgh City Skyline
The second wave of Arts and Crafts? Craft online: Amateurs, Influencers and Craftivists of Generation Craft
Sites of Art Writing: Tonalities in ‘Post-Conflict’ Northern Ireland
Sensory Experience in the Contact Zone 1876 - 1938
It's Not the End of the World: Nonlinear Time and Neurodivergent Making