Techne

UK Film And Television

  • Dana Hajaj

    Dana Hajaj

    Media and performance arts
    Royal Holloway University of London

    Developing a TV Drama for the Misrepresented: British Female Arab Actors

  • Ben Stoll.jpg

    Ben Stoll

    Culture and communications
    Royal Holloway University of London

    Revisiting Race and Thatcherism: the Second Life of the 1980-85 Uprisings on Screen

  • Lillian Crawford

    Lillian Crawford

    Media and performance arts
    Royal Holloway University of London

    Television Drama in Transition: Screen Two, the Single Play, and the Television Film

  • Jessica Corfield

    Jessica Corfield

    Languages and literatures
    University of Westminster

    ‘I have come to claim / Marilyn Monroe’s body’: Exploring Identification through Star Images in American Lyric Poetry.

  • Arta Barzanji

    Arta Barzanji

    Media and performance arts
    University of Roehampton London

    Concrete Abstractions: Film Criticism and Dialectical Thought

  • Izzy Barrett Lally

    Izzy Barrett-Lally

    Histories and philosophies
    Royal Holloway University of London

    A Minor Autobiographical Tradition: Automemoir from Nineteenth-century France to Virtual Worlds’’

  • Rachel Hopkin.jpg

    Rachel Hopkin

    Languages and literatures
    Royal Holloway University of London

    Cold Love: Can screened depictions of love between humans and robots legitimately contribute to debates regarding socio-ethical implications of HRI

  • Jesse Cumming

    Jesse Cumming

    Media and performance arts
    University of Roehampton London

    The Dynamics of Development: An Analysis of the Operation and Influence of Filmmaking Laboratories and Workshops.

  • Sam Kaufman Portrait

    Sam Kaufman

    Art and design
    Kingston University London

    Entangling Umwelten: Towards a New Ecology of Moving Images and Nonhuman Worlds

  • Alex Kirstukas Techne profile.jpg

    Alex Kirstukas

    Media and performance arts
    Royal Holloway University of London

    Moving Pictures, Music and Theatrical Exhibition in London, 1914–1930

  • Jiahan Lin

    Jiahan Lin

    Media and performance arts
    University of Westminster

    Cinephilia’s “Horizontal Terrain”: Exploring Chinese Digital Cinephile Culture Through Pinglun

  • Louis Emmitt Stern

    Louis Emmitt-Stern

    Media and performance arts
    University of Surrey

    Dramatic Writing Practice and Pedagogy: Training the Contemporary Scriptwriter

  • Samantha Dick

    Samantha Dick

    Art and design
    Kingston University London

    I Woz Ere: An Intimate Look at the Forgotten Tower Blocks of the Edinburgh City Skyline

  • Teale Failla

    Teale Failla

    Media and performance arts
    Royal Holloway University of London

    Tuning In: Sustainable Leadership Solutions for the Wellbeing and Mental Health Crisis in UK Television Production

  • Sally Jones

    Sally Jones

    Culture and communications
    University of Brighton

    Selling Shippam's: Food Consumption, Visuality and Post-War Culture

  • Kyna Gourley

    Kyna Gourley

    Media and performance arts
    Royal Holloway University of London

    Negotiating virtual spaces:  Exploring the intersection of young people’s behaviour and identity across virtual and physical worlds through ethnographic filmmaking

  • Eve Barro

    Eve Barro

    Art and design
    Loughborough University London

    Colonial Coral: Design for Decolonising More-than-Human Worlds in the Natural History Museum

  • Olga Davis

    Olga Davis

    Languages and literatures
    University of Surrey

    Modular Audio Description: Using the extended track to enable personalisation for different audiences

  • Pratibha Joshi

    Pratibha Joshi

    Languages and literatures
    University of Surrey

    Mapping India’s Audio Description Practice within an emerging Art Museum Community: The Role of Professional Training on ‘Non-Expert’ Audio Description

  • Maud Craigie

    Culture and communications
    Kingston University London

    Tools for Persuasion: methods of storytelling in UK and US courtrooms

  • Monica Jae Yeon Moon

    Monica Jae Yeon Moon

    Culture and communications
    University of Brighton

    Colonial modernity in Dongdaemun garment district and its fashion production (1910-2014)

  • Josh Bulman (2)

    Josh Bulman

    Histories and philosophies
    Kingston University London

    Parataxis and being within Cities - an investigation into minority experience and production of space within Dawson’s Height Estate

  • Charlotte Roberts

    Charlotte Roberts

    Art and design
    University of the Arts London

    The notational: mental health and female identity in the diary films of Anne Charlotte Robertson

  • Sylvie Jane Lewis

    Sylvie Jane Lewis

    Languages and literatures
    University of Brighton

    An Archive of Fairies: Modernism, Fantasy, and Shy Ephemera 1890-1930

  • Richard Squires

    Richard Squires

    Art and design
    University of Brighton

    Death-style: An essay film investigation of 1980s images of gay male depravity through the lens of ‘queer negativity’

  • Xi (Bonnie) Liu

    Xi (Bonnie) Liu

    Languages and literatures
    Royal Holloway University of London

    A Cross-Century Communication between Elizabeth Gaskell and Virginia Woolf via “the Chinese Katherine Mansfield”: Narrative Legacy across Time and Space

  • Ellennolan

    Ellen Nolan

    Culture and communications
    University of Westminster

    The Nita Harvey Archive: Hidden History, Experience and Objectification in the 1930s Hollywood Star System.

  • Jessa Mockridge

    Jessa Mockridge

    Art and design
    Kingston University London

    rub rub rub rub rub rub brush brush quiver oh hello, you: Queer Captioning as Material

  • Supraja Ramesh

    Supraja Ramesh

    Culture and communications
    Brunel University London

    ‘Cleaving’ Queer Aesthetics: Contemporary Indian Performance at the Intersections of Caste, Gender and Sexual Politics.

  • Amy Hare

    Amy Hare

    Culture and communications
    Kingston University London

    Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas