Amy Hare
Culture and communications
Kingston University London
Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas
Techne
Central School of Art
-
-
Marta Marsicka
Culture and communicationsUniversity of the Arts LondonRepresentation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989
-
Sara O'Brien
Art and designRoyal Holloway University of LondonBetween Art and Writing: Translating meaning through the ‘text-as-host’ in contemporary art writing practice
-
![Tom Chambers [Square]](/media/30068/tom-chambers-square.jpg)
Tom Chambers
Culture and communicationsUniversity of WestminsterPhotography by Train: New Leisure Experiences of Heritage in Britain, 1880s-1930s
-
Manuel Cini
Media and performance artsUniversity of SurreyFrom Ashes To Eternity - The Unknown Music Compositions of the Nazi Concentration Camps
-
Gabriel Hoosain Khan
Art and designUniversity of BrightonArt, resistance, and healing: on the potentials of using the Creative Change Laboratory (CCoLAB) among queer youth in Brighton
-
Amelia Crouch
Media and performance artsUniversity of the Arts LondonEpisodic self-display and shifting modes of address: Performing identity in artists' moving image in a neoliberal era of post-truth
-
Simon Terrill
Histories and philosophiesKingston University LondonCrowd as Image, Crowd as Process: A contemporary reimagining of the crowd.
-
Sarah Phelan
Art and designUniversity of the Arts LondonMissing Mavigraphs: Investigating the Lost Potentials of Thermographic & Electromagnetic Video Printing Systems
-
Kitty Clark
Culture and communicationsKingston University LondonWorld Building in Time and Space: Open World Video Game Mechanics in Contemporary Art Practice
-
Lucie McLaughlin
Art and designKingston University LondonSites of Art Writing: Tonalities in ‘Post-Conflict’ Northern Ireland
-
Alana Frey Reibstein
Media and performance artsUniversity of Roehampton LondonDancing as Religious Embodiment: A Philosophical Perspective on Esotericism and Occultism in Early Modern Dance
-
-
Jessica Higgins
Art and designKingston University LondonInferred Publics and Interfering Voices: exploring implication as a critical tool within contemporary art and performance practices
-
Abbas Zahedi
Art and designKingston University LondonAcoustic Agency: Reimagining Mental Health Spaces through Sound and Art
-
Jessa Mockridge
Art and designKingston University Londonrub rub rub rub rub rub brush brush quiver oh hello, you: Queer Captioning as Material
-
Maud Craigie
Culture and communicationsKingston University LondonTools for Persuasion: methods of storytelling in UK and US courtrooms
-
![Zhiqian Zhao [Square]](/media/30054/zhiqian-zhao-square.jpeg)
Zhiqian Zhao
Culture and communicationsBrunel University LondonThe “Way Out” (chulu): Minority Education, Youth Aspirations, and the Good Life in Southwest China
-
Jesse Cumming
Media and performance artsUniversity of Roehampton LondonThe Dynamics of Development: An Analysis of the Operation and Influence of Filmmaking Laboratories and Workshops.
-
Mariana Felix Sancliment
Languages and literaturesBrunel University LondonDirty Work: Latin American Horror and the Invisible Violence of Domestic Servitude
-
Rebecca Swan
Histories and philosophiesUniversity of BrightonA Feminist Critique of the Veterinary Industry: working towards improved human and non-human welfare.
-
Anna Clifford
Media and performance artsRoyal Holloway University of LondonListening in From the Museum
-
Livia Dubon-Bohlig
Media and performance artsKingston University LondonL’ Orecchio Teso L’ Occhio Sordo, A Regenerative Curatorial Practice Within The IsIAO Colonial Photographic Archive
-
Edwin Mingard
Culture and communicationsUniversity of the Arts LondonMaking, Unmaking and Remaking History: Exhibition Programming at Chisenhale Gallery in the late 1980s
-
Samuel Hertz
Culture and communicationsRoyal Holloway University of LondonScales of Change: Addressing Global Environmental Change through Transdisciplinary Sonic Practices
-
Hannah Kemp-Welch
Art and designUniversity of the Arts LondonListening in Socially-Engaged Art: Artistic Strategies for Equitable Collaboration
-
Lindsay Sekulowicz
Histories and philosophiesUniversity of BrightonCollection to Source: Cosmology and Ethnobotanical belongings of the Northwest Amazon
-
Joseph Rizzo Naudi
Languages and literaturesRoyal Holloway University of LondonImage Without Resemblance: combining co-creative artwork description practices, divergent mimesis and post-modern narrative technique towards an anti-ocularcentric writing methodology.
-
Christina Hourigan
Histories and philosophiesRoyal Holloway University of LondonThe making of a global arboretum: the case of the Royal Botanic Gardens, Kew
-
Holly Graham
Culture and communicationsUniversity of WestminsterTending to Black Life, Death, and Resistance in the Community Archive: Artist as Archivist / Activist / Care-Worker
-
Pratibha Joshi
Languages and literaturesUniversity of SurreyMapping India’s Audio Description Practice within an emerging Art Museum Community: The Role of Professional Training on ‘Non-Expert’ Audio Description
-
Izzy Barrett-Lally
Histories and philosophiesRoyal Holloway University of LondonA Minor Autobiographical Tradition: Automemoir from Nineteenth-century France to Virtual Worlds’’
-
Soumyaseema Mandal
Royal Holloway University of London“Lesbian?”... “She no Lebanese. She Punjabi!”: Tracing the experiences of working-class, queer British South Asian women, 1970s to 1990s
-
Marta García
Languages and literaturesUniversity of Roehampton LondonPainting Critical-Creative Writing: J. M. Barrie, F. Scott Fitzgerald, and Zelda
-
Mike Blackburn
Languages and literaturesKingston University LondonExploration into the features and characteristics of cognitive processing within multimodal “concept/puzzle advertisements”