Techne

Art Museum Community

  • Pratibha Joshi

    Pratibha Joshi

    Languages and literatures
    University of Surrey

    Mapping India’s Audio Description Practice within an emerging Art Museum Community: The Role of Professional Training on ‘Non-Expert’ Audio Description

  • Theresa Nelson

    Theresa Nelson

    Media and performance arts
    University of the Arts London

    Freedom Walks: Reanimating Ghanaian and West African Cultural Artefacts through Performance.

  • Sara Obrien

    Sara O'Brien

    Art and design
    Royal Holloway University of London

    Between Art and Writing: Translating meaning through the ‘text-as-host’ in contemporary art writing practice

  • Holly Graham

    Holly Graham

    Culture and communications
    University of Westminster

    Tending to Black Life, Death, and Resistance in the Community Archive: Artist as Archivist / Activist / Care-Worker

  • Anne Nielsen

    Anne Nielsen

    Culture and communications
    University of Brighton

    Duplicates, Dispersal and Disposal in Museums

  • Sebastian Beaumont_Techne.jpg

    Sebastian Beaumont

    Languages and literatures
    University of Brighton

    Autoethnographic exploration of resistance to anti-gay legislation in 80s/90s Brighton.

  • Manuel Cini

    Manuel Cini

    Media and performance arts
    University of Surrey

    From Ashes To Eternity - The Unknown Music Compositions of the Nazi Concentration Camps

  • Gabriel Hoosain Khan

    Gabriel Hoosain Khan

    Art and design
    University of Brighton

    Art, resistance, and healing: on the potentials of using the Creative Change Laboratory (CCoLAB) among queer youth in Brighton

  • Amelia Crouch.jpg

    Amelia Crouch

    Media and performance arts
    University of the Arts London

    Episodic self-display and shifting modes of address: Performing identity in artists' moving image in a neoliberal era of post-truth

  • Simon Terrill

    Simon Terrill

    Histories and philosophies
    Kingston University London

    Crowd as Image, Crowd as Process: A contemporary reimagining of the crowd.

  • Abbie Vickress

    Abbie Vickress

    Culture and communications
    University of the Arts London

    Pluralist Exhibition Design Methods: anti-colonial graphic design in British ethnographic museums.

  • Shaan Knan

    Shaan Rathgeber Knan

    Culture and communications
    University of Brighton

    Resourcing Gypsy, Romany, Traveller trans youth in the UK: An exploration of intersectionality using heritage as a vehicle for empowerment

  • Sarah Phelan

    Sarah Phelan

    Art and design
    University of the Arts London

    Missing Mavigraphs: Investigating the Lost Potentials of Thermographic & Electromagnetic Video Printing Systems

  • Kitty Clark

    Kitty Clark

    Culture and communications
    Kingston University London

    World Building in Time and Space: Open World Video Game Mechanics in Contemporary Art Practice

  • Lucie Mclaughlin

    Lucie McLaughlin

    Art and design
    Kingston University London

    Sites of Art Writing: Tonalities in ‘Post-Conflict’ Northern Ireland

  • Amanda Holiday

    Amanda Holiday

    Languages and literatures
    University of Brighton

    Poetry, Race and Art

  • Jessica Higgins

    Jessica Higgins

    Art and design
    Kingston University London

    Inferred Publics and Interfering Voices: exploring implication as a critical tool within contemporary art and performance practices

  • Eve Barro

    Eve Barro

    Art and design
    Loughborough University London

    Colonial Coral: Design for Decolonising More-than-Human Worlds in the Natural History Museum

  • Jessa Mockridge

    Jessa Mockridge

    Art and design
    Kingston University London

    rub rub rub rub rub rub brush brush quiver oh hello, you: Queer Captioning as Material

  • Abbas Zahedi

    Abbas Zahedi

    Art and design
    Kingston University London

    Acoustic Agency: Reimagining Mental Health Spaces through Sound and Art

  • Jahnvi Acharya

    Janhvi Acharya

    Histories and philosophies
    Royal Holloway University of London

    Home Away from Home: Exploring 'neighbourliness' and community identities among British South Asians, 1960 to 2017

  • Marta Marsicka

    Marta Marsicka

    Culture and communications
    University of the Arts London

    Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989

  • Maud Craigie

    Culture and communications
    Kingston University London

    Tools for Persuasion: methods of storytelling in UK and US courtrooms

  • San Pham

    San Pham

    Languages and literatures
    University of Surrey

    Curating a Diasporic Archive in the Elsewhere: A Critical and Creative Exploration of Recovering, Dismantling, and Re-Imagining the Diasporic Space

  • Jesse Cumming

    Jesse Cumming

    Media and performance arts
    University of Roehampton London

    The Dynamics of Development: An Analysis of the Operation and Influence of Filmmaking Laboratories and Workshops.

  • Kit Slatford.jpg

    Kathleen Slatford

    Culture and communications
    Kingston University London

    Storytelling in Libraries: Making Community

  • Josephine Hills

    Josephine Hills

    Histories and philosophies
    Royal Holloway University of London

    Cleopatra Stories and Community Engagement

  • Anna Clifford

    Anna Clifford

    Media and performance arts
    Royal Holloway University of London

    Listening in From the Museum

  • Edwin Mingard.jpg

    Edwin Mingard

    Culture and communications
    University of the Arts London

    Making, Unmaking and Remaking History: Exhibition Programming at Chisenhale Gallery in the late 1980s

  • Amy Hare

    Amy Hare

    Culture and communications
    Kingston University London

    Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas

  • Rhiannon Smith

    Rhiannon Smith

    Media and performance arts
    University of the Arts London

    The Theatricalization of Class in Performance, Policy and Practice.

  • Eve Archer

    Eve Archer

    Art and design
    University of Brighton

    Queer Immortality: The creation, collection, preservation and distribution of LGBTQ+ histories through Small Art and participatory DIY artistic initiatives.

  • Sam Hertz

    Samuel Hertz

    Culture and communications
    Royal Holloway University of London

    Scales of Change: Addressing Global Environmental Change through Transdisciplinary Sonic Practices

  • Hannah Kemp Welch

    Hannah Kemp-Welch

    Art and design
    University of the Arts London

    Listening in Socially-Engaged Art: Artistic Strategies for Equitable Collaboration

  • Livia Dubon-Bohlig.jpg

    Livia Dubon-Bohlig

    Media and performance arts
    Kingston University London

    L’ Orecchio Teso L’ Occhio Sordo, A Regenerative Curatorial Practice Within The IsIAO Colonial Photographic Archive

  • Wajid Abbas Rather

    Wajid Abbas Rather

    Culture and communications
    Royal Holloway University of London

    Changing Dynamics of Shi'ism in Kashmir: Commemorative practices, Identity and Transnational Influences.

  • Lindsay Sekulowicz

    Lindsay Sekulowicz

    Histories and philosophies
    University of Brighton

    Collection to Source: Cosmology and Ethnobotanical belongings of the Northwest Amazon

  • Yehong Wei

    Yehong Wei

    Culture and communications
    University of the Arts London

    Reclaiming Nüshu: A participatory method to reinterpret a Women’s Hidden Script in Rural China

  • Joe Rizzo Naudi (2)

    Joseph Rizzo Naudi

    Languages and literatures
    Royal Holloway University of London

    Image Without Resemblance: combining co-creative artwork description practices, divergent mimesis and post-modern narrative technique towards an anti-ocularcentric writing methodology.

  • Tom Railton.jpg

    Tom Railton

    Art and design
    Kingston University London

    It's Not the End of the World: Nonlinear Time and Neurodivergent Making

  • Marta Garcia

    Marta García

    Languages and literatures
    University of Roehampton London

    Painting Critical-Creative Writing: J. M. Barrie, F. Scott Fitzgerald, and Zelda

  • Queenie Clarke.jpg

    Queenie Clarke

    Art and design
    University of Brighton

    Designing for Dignity, Ownership and Representation: new approaches to the inclusivity of the homeless community.

  • Mike Blackburn

    Mike Blackburn

    Languages and literatures
    Kingston University London

    Exploration into the features and characteristics of cognitive processing within multimodal “concept/puzzle advertisements”