Jiahan Lin
Cinephilia’s “Horizontal Terrain”: Exploring Chinese Digital Cinephile Culture Through Pinglun
Cinephilia’s “Horizontal Terrain”: Exploring Chinese Digital Cinephile Culture Through Pinglun
Flipped Hierarchies: Exploring Narrative Metalepsis As A Radical Critical Tool Through Artists’ Moving Image Practice
Experiential audio in museum contexts
Caribbean Jazz: A Performative Discourse on the Roots, Rhythms, and Reach of Anglophone and Francophone Caribbean Jazz
From Ashes To Eternity - The Unknown Music Compositions of the Nazi Concentration Camps
Queer, crip live art in the post ‘trans tipping point’ era: an archive of affect
Vibrational kinship: Resonances of moving, sounding and listening bodies
A Postcolonial Investigation of Desiring Homegrown Dating Apps in Contemporary India
Dramatic Writing Practice and Pedagogy: Training the Contemporary Scriptwriter
Queering the Simulacrum: How Can Generative AI Video Practice Be Challenged and Elevated Through Queer Expanded Cinema
Freedom Walks: Reanimating Ghanaian and West African Cultural Artefacts through Performance.
Performing Pain: How Stand-Up Comedy Functions as an Autobiographical Performative Act of Self-Authorship and Resistance in Narrating Disability and Pain
Concrete Abstractions: Film Criticism and Dialectical Thought
Bringing Theatre Home: an investigation into the socio-spatial implications of performance practices in domestic settings
Documenta 11: Art's Global Entanglement
Developing a TV Drama for the Misrepresented: British Female Arab Actors
The Theatricalization of Class in Performance, Policy and Practice.
Tuning In: Sustainable Leadership Solutions for the Wellbeing and Mental Health Crisis in UK Television Production
The Lied Voice as Feminine Writing
Lolita: Fashioning Identity, Liberal Selves and the City
Breaking the gender and identity boundaries of the symphonic form during the 20th century and beyond
Workflows and Production Guidelines for Immersive Music
Dance as Play: building and fostering relationships in a post-pandemic society.
Co-composing Acousmatic Stories: Hybrid strategies for exploring change, crisis and community through collaborative creative practice
L’ Orecchio Teso L’ Occhio Sordo, A Regenerative Curatorial Practice Within The IsIAO Colonial Photographic Archive
Television Drama in Transition: Screen Two, the Single Play, and the Television Film
“The Unconditional Spectator”: Ethnographic Study of Adaptation in Theatre for Young Audiences
Spectacles against The Spectacle: Is a new politics of paradox emerging in British experimental theatre of the 2010’s?
Voices from the Margins: The Cyborg Concept Album
Loss, a practice for making; catalysing new methods for movement practice and performance
Human-Computer Counter-Choreographies
Episodic self-display and shifting modes of address: Performing identity in artists' moving image in a neoliberal era of post-truth
Moving Pictures, Music and Theatrical Exhibition in London, 1914–1930
The music of speech: effort, expectations, effects and affect
They Still Call it Africa: interrogating corruption using theatre archives and participatory filmmaking
Generative AI and Composing Musical Narrative
Inclusive Gaming for Gamers with Sight Loss: Exploring Audio Description and Multimodal Mediation
Negotiating virtual spaces: Exploring the intersection of young people’s behaviour and identity across virtual and physical worlds through ethnographic filmmaking
Dance and the re-articulation of value: Embodied pathways to sustainability
You’re Havin’ a Class! An exploration of the experiences of working-class scripted television comedy writers
Dancing as Religious Embodiment: A Philosophical Perspective on Esotericism and Occultism in Early Modern Dance
Listening in From the Museum
The Dynamics of Development: An Analysis of the Operation and Influence of Filmmaking Laboratories and Workshops.
Revealing gender bias in generative AI through embodied and choreographic practices
Playing the Fool: Reappraising foolishness through joyful, intersectional performative practice