Naomi Dines
Re/materialising the imaginary artefact: exploring the role of digitisation, visualisation and materialisation in object-based art practice.
Re/materialising the imaginary artefact: exploring the role of digitisation, visualisation and materialisation in object-based art practice.
Immersive Theatre Process & Production: Developing a Capture Methodology for Archiving Digital Storytelling
The notational: mental health and female identity in the diary films of Anne Charlotte Robertson
Designing Accessible Tools for Digital Making
Designing for Dignity, Ownership and Representation: new approaches to the inclusivity of the homeless community.
Transforming through Cinema: An Interdisciplinary Approach to Reading Amy Greenfield’s Pioneering Films
Pages of Possibility: The photobook as a physical site for a regenerative relationship with the environment
Sustainability in the Making: Craft Programmes for Socio-Ecological Change
Inferred Publics and Interfering Voices: exploring implication as a critical tool within contemporary art and performance practices
Sites of Art Writing: Tonalities in ‘Post-Conflict’ Northern Ireland
Transnational filmmaking and national identity in contemporary Cuban cinema (2000-2020)
Memory’s Narratives: Considering Fernand Pouillon’s Architectural Approach to Historical Time.
Moving bodies: Exploring Empathy, Affect, and the Kinaesthesia in the Corporeal Surface
Developing semi-permanent design displays in an era of rapid climate change
Echoes in the Anthropocene: ecological sound art and ecosocialist activism in Brazil
A practice-based autobiographical investigation of the fashion material culture of Caribbean female couturiers from the 1930s to the present day
I Woz Ere: An Intimate Look at the Forgotten Tower Blocks of the Edinburgh City Skyline
Entangling Umwelten: Towards a New Ecology of Moving Images and Nonhuman Worlds
"Refuse to lose!" An ethnography of emancipatory culture and community space
Missing Mavigraphs: Investigating the Lost Potentials of Thermographic & Electromagnetic Video Printing Systems
Design practices and transgender agency in video games in independent and mainstream contexts (2005-2022)
Colonial Coral: Design for Decolonising More-than-Human Worlds in the Natural History Museum
Golden Age; On the contemporary agency of gold
Human Hair as a Regenerative Material Resource: utilising protein fibre waste in the circular bioeconomy through interdisciplinary collaborative design practice
Art, resistance, and healing: on the potentials of using the Creative Change Laboratory (CCoLAB) among queer youth in Brighton
Queer Immortality: The creation, collection, preservation and distribution of LGBTQ+ histories through Small Art and participatory DIY artistic initiatives.
The Work of Art in the Age of Crisis: Interrogating the ‘Labour Turn’ in the Culture Industries.
Crafting a Nation: The role of Art, Craft, and Design in Constructing Post-war Italian Identities
Radical Spiritual Collective: Spiritual Activism as Curatorial Collective Engagements with Diasporic Feminist Artistic Practices
Between Art and Writing: Translating meaning through the ‘text-as-host’ in contemporary art writing practice
Costume-Generated Performance as Praxis: Costume Encounters with Kashubian Material Culture from a Diasporic Standpoint
Death-style: An essay film investigation of 1980s images of gay male depravity through the lens of ‘queer negativity’
The War of Naming the Problem: Black Audio Film Collective and Political Aesthetics
It's Not the End of the World: Nonlinear Time and Neurodivergent Making
Transnational Studies of Interior Design Practice in South Korea from the 1960s to the 1980s
Where are all the Lesbians? In search of Lesbian Lives in Museums.
An Indigenous gaze: looking through and envisioning contemporary Indigenous visual representations in the Andean region
Sensing Wishlists – A meta-design approach to the development of fashion consumption technologies
Weather as Witness: Political Ecologies of Southeast Asia through a Curatorial Lens
Between Tradition and Innovation: Women's Textiles in Venetia during the Fascist Era (1920s-1940s)
Elves vs Trolls in Ukraine’s War - Fighting Disinformation with Interactive Documentary
rub rub rub rub rub rub brush brush quiver oh hello, you: Queer Captioning as Material
Empathic Listening/Radical Listening: learning from feminist and decolonial contemporary arts practices through artistic research.
Ghosts of the Al-Ghaib : A participatory, audio-visual exploration of haunting in Palestine
Living Documents: Embodying the afterimage of art as an agent for new and divergent forms of exhibition documentation
Listening in Socially-Engaged Art: Artistic Strategies for Equitable Collaboration
Employing the materiality of clothed bodies to ask for change: the social and political weight of Greenham Women’s dress (1981-2000).
From the Ground Up: An Exploration of a Purbeck Quarry’s Leftover Materials
Acoustic Agency: Reimagining Mental Health Spaces through Sound and Art