Oknim Jo
Transnational Studies of Interior Design Practice in South Korea from the 1960s to the 1980s
Transnational Studies of Interior Design Practice in South Korea from the 1960s to the 1980s
Between Tradition and Innovation: Women's Textiles in Venetia during the Fascist Era (1920s-1940s)
Moving Pictures, Music and Theatrical Exhibition in London, 1914–1930
Human Hair as a Regenerative Material Resource: utilising protein fibre waste in the circular bioeconomy through interdisciplinary collaborative design practice
Lolita: Fashioning Identity, Liberal Selves and the City
Pluralist Exhibition Design Methods: anti-colonial graphic design in British ethnographic museums.
Cultures of Hand-knitting in North India: Provenance, Domesticity and Gendered Learning, c.1850-1980
Developing semi-permanent design displays in an era of rapid climate change
Selling Shippam's: Food Consumption, Visuality and Post-War Culture
Colonial Coral: Design for Decolonising More-than-Human Worlds in the Natural History Museum
Changing Dynamics of Shi'ism in Kashmir: Commemorative practices, Identity and Transnational Influences.
Colonial modernity in Dongdaemun garment district and its fashion production (1910-2014)
Publishing Feminism: Poli Gynaikon, Feminist Media, and the Transnational Exchange of Ideas
Reclaiming Nüshu: A participatory method to reinterpret a Women’s Hidden Script in Rural China
Documenta 11: Art's Global Entanglement
The making of a global arboretum: the case of the Royal Botanic Gardens, Kew
Human-Computer Counter-Choreographies
Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas