Techne

Performance

  • Jessica Higgins

    Jessica Higgins

    Art and design
    Kingston University London

    Inferred Publics and Interfering Voices: exploring implication as a critical tool within contemporary art and performance practices

  • David Blanar

    David Blanar

    Art and design
    University of the Arts London

    Immersive Theatre Process & Production: Developing a Capture Methodology for Archiving Digital Storytelling

  • Jessa Fairbrother

    Jessa Fairbrother

    Culture and communications
    Kingston University London

    Reaching to the stars: astrology and the body in the past, present and future

  • Amelia Crouch.jpg

    Amelia Crouch

    Media and performance arts
    University of the Arts London

    Episodic self-display and shifting modes of address: Performing identity in artists' moving image in a neoliberal era of post-truth

  • Amy Sheppard.jpg

    Amy Sheppard

    Media and performance arts
    Kingston University London

    Loss, a practice for making; catalysing new methods for movement practice and performance

  • Supraja Ramesh

    Supraja Ramesh

    Culture and communications
    Brunel University London

    ‘Cleaving’ Queer Aesthetics: Contemporary Indian Performance at the Intersections of Caste, Gender and Sexual Politics.

  • Benji Jeffrey

    Benji Jeffrey

    Media and performance arts
    Kingston University London

    Playing the Fool: Reappraising foolishness through joyful, intersectional performative practice

  • Amy Hare

    Amy Hare

    Culture and communications
    Kingston University London

    Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas

  • Thomas Boulousis

    Thomas Boulousis

    Media and performance arts
    Kingston University London

    Generative AI and Composing Musical Narrative

  • Julia Pond

    Julia Pond

    Media and performance arts
    Kingston University London

    Dance and the re-articulation of value: Embodied pathways to sustainability

  • Imogen Reeve

    Imogen Reeve

    Media and performance arts
    University of Roehampton London

    Revealing gender bias in generative AI through embodied and choreographic practices

  • Rhiannon Smith

    Rhiannon Smith

    Media and performance arts
    University of the Arts London

    The Theatricalization of Class in Performance, Policy and Practice.

  • Charlotte Bookham

    Charlotte Bookham

    Culture and communications
    Royal Holloway University of London

    Travelling Circus Animals: traversing boundaries of performer, pet and property 1822-1925

  • Maud Craigie

    Culture and communications
    Kingston University London

    Tools for Persuasion: methods of storytelling in UK and US courtrooms

  • Maddie Burdon

    Maddie Burdon

    Histories and philosophies
    University of the Arts London

    Queer Whores: Embodied Knowledge and Performance Practices in Sex Work

  • Peter Sharples

    Peter Sharples

    Media and performance arts
    Brunel University London

    Performing Pain: How Stand-Up Comedy Functions as an Autobiographical Performative Act of Self-Authorship and Resistance in Narrating Disability and Pain

  • Ellennolan

    Ellen Nolan

    Culture and communications
    University of Westminster

    The Nita Harvey Archive: Hidden History, Experience and Objectification in the 1930s Hollywood Star System.

  • Stacy Miller

    Stacy Miller

    Media and performance arts
    Royal Holloway University of London

    “The Unconditional Spectator”: Ethnographic Study of Adaptation in Theatre for Young Audiences

  • Jessa Mockridge

    Jessa Mockridge

    Art and design
    Kingston University London

    rub rub rub rub rub rub brush brush quiver oh hello, you: Queer Captioning as Material