Tonya North
Signing Sound: Deaf Gain within Inclusive Co-Created Audio Descriptions of Museum Experiences
Signing Sound: Deaf Gain within Inclusive Co-Created Audio Descriptions of Museum Experiences
Duplicates, Dispersal and Disposal in Museums
Healing women: Early modern women as healers in their own texts, practices and representations
The Geographical Museum: Making Knowledge through Objects
Selling Shippam's: Food Consumption, Visuality and Post-War Culture
The Role of Keats House in the Twenty-First Century Reception and Reputation of John Keats
Towards a ‘Theory of Taking’: Whiteness and Collectors of Ethnographic Objects in 19th Century North America
Mapping Messengers: The work, urban mobility, and lived experiences of London motorcycle despatch riders, 1970 – 2000.
From Ashes To Eternity - The Unknown Music Compositions of the Nazi Concentration Camps
Pride, Passengers and Personnel: Collecting LGBTQ+ Experiences in and on London’s Transport in the 1970s and 1980s.
Where are all the Lesbians? In search of Lesbian Lives in Museums.
Developing semi-permanent design displays in an era of rapid climate change
Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989
Uncovering queer histories and dissonant sexualities in rural England, c.1800-1950
Listening in From the Museum
Colonial Rhizomes: Knowledge production of southern Africa through archives and displays in museums
Reclaiming Nüshu: A participatory method to reinterpret a Women’s Hidden Script in Rural China
The 'Lost' Museum: The rise and fall of the British Empire in objects
The Biocultural Diaspora of Tea in the 21st Century
L’ Orecchio Teso L’ Occhio Sordo, A Regenerative Curatorial Practice Within The IsIAO Colonial Photographic Archive