Amy Hare
Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas
Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas
Between Tradition and Innovation: Women's Textiles in Venetia during the Fascist Era (1920s-1940s)
Inferred Publics and Interfering Voices: exploring implication as a critical tool within contemporary art and performance practices
Immersive Theatre Process & Production: Developing a Capture Methodology for Archiving Digital Storytelling
Reaching to the stars: astrology and the body in the past, present and future
Episodic self-display and shifting modes of address: Performing identity in artists' moving image in a neoliberal era of post-truth
Transnational Studies of Interior Design Practice in South Korea from the 1960s to the 1980s
Human Hair as a Regenerative Material Resource: utilising protein fibre waste in the circular bioeconomy through interdisciplinary collaborative design practice
Lolita: Fashioning Identity, Liberal Selves and the City
Pluralist Exhibition Design Methods: anti-colonial graphic design in British ethnographic museums.
Cultures of Hand-knitting in North India: Provenance, Domesticity and Gendered Learning, c.1850-1980
Loss, a practice for making; catalysing new methods for movement practice and performance
‘Cleaving’ Queer Aesthetics: Contemporary Indian Performance at the Intersections of Caste, Gender and Sexual Politics.
Developing semi-permanent design displays in an era of rapid climate change
Selling Shippam's: Food Consumption, Visuality and Post-War Culture
Playing the Fool: Reappraising foolishness through joyful, intersectional performative practice
Colonial Coral: Design for Decolonising More-than-Human Worlds in the Natural History Museum
Colonial modernity in Dongdaemun garment district and its fashion production (1910-2014)
Publishing Feminism: Poli Gynaikon, Feminist Media, and the Transnational Exchange of Ideas
Generative AI and Composing Musical Narrative
Dance and the re-articulation of value: Embodied pathways to sustainability
Revealing gender bias in generative AI through embodied and choreographic practices
The Theatricalization of Class in Performance, Policy and Practice.
Travelling Circus Animals: traversing boundaries of performer, pet and property 1822-1925
Reclaiming Nüshu: A participatory method to reinterpret a Women’s Hidden Script in Rural China
Tools for Persuasion: methods of storytelling in UK and US courtrooms
Queer Whores: Embodied Knowledge and Performance Practices in Sex Work
Performing Pain: How Stand-Up Comedy Functions as an Autobiographical Performative Act of Self-Authorship and Resistance in Narrating Disability and Pain
The making of a global arboretum: the case of the Royal Botanic Gardens, Kew
Human-Computer Counter-Choreographies
The Nita Harvey Archive: Hidden History, Experience and Objectification in the 1930s Hollywood Star System.
“The Unconditional Spectator”: Ethnographic Study of Adaptation in Theatre for Young Audiences
rub rub rub rub rub rub brush brush quiver oh hello, you: Queer Captioning as Material