Khadijah Naeem
Can the Grenfell Tower fire constitute a State Crime?
Can the Grenfell Tower fire constitute a State Crime?
Crafting a Nation: The role of Art, Craft, and Design in Constructing Post-war Italian Identities
Bringing Theatre Home: an investigation into the socio-spatial implications of performance practices in domestic settings
Spectacles against The Spectacle: Is a new politics of paradox emerging in British experimental theatre of the 2010’s?
Metallic voices: Conversations with inscribed metal jewellery in early medieval England
Experiential audio in museum contexts
Identity Confusion and ‘Mad Gain’ in Nineteenth-Century England, France, and Russia
Pernicious Philanthropy: The legal and medical fetishisation of black female childhood
Canguilhem, Ruyer and Simondon – A Philosophy of Life Sciences à la Française
Scales of Change: Addressing Global Environmental Change through Transdisciplinary Sonic Practices
Inclusive Engagement Practice
An Analysis of Muhammad Marmaduke Pickthall’s Intellectual Thought in India; Exploring its Development and Contemporary Significance
The Lied Voice as Feminine Writing
Elves vs Trolls in Ukraine’s War - Fighting Disinformation with Interactive Documentary
Revisiting Race and Thatcherism: the Second Life of the 1980-85 Uprisings on Screen
Speaking Truth to Power: A History of Galop and the LGBTQ Community's Responses to Violence
Commemorating the Equal Franchise Act 1928
Cold Love: Can screened depictions of love between humans and robots legitimately contribute to debates regarding socio-ethical implications of HRI
Auditioning the Sonosphere: Live Audio Streaming as Expanded Geo-Practice
Microhistories of the Holocaust and the Use of Family History: The Families Ganz / Brenzinger, c1871 - 1945
Caribbean Jazz: A Performative Discourse on the Roots, Rhythms, and Reach of Anglophone and Francophone Caribbean Jazz