
Kiera Fitzgerald
Literary Heritage and the Public Archives: The Diverse Women of Britain’s Special Operations Executive, F Section
Literary Heritage and the Public Archives: The Diverse Women of Britain’s Special Operations Executive, F Section
Global Humanitarianism: Quaker Aid to Refugees from Nazism, 1938-1945
Representations of Single Motherhood in British Cinema, 1945-1970
The Listening: fictionalising fugitive voices and fragmented lives in the slavery archive
Curious Travellers and Ambivalent Performers: British Women Travellers and Orientalism in Kurdistan (1890-1940)
Death-style: An essay film investigation of 1980s images of gay male depravity through the lens of ‘queer negativity’
Exploring the History of Black Women’s Mental Health Organising in Britain from the 1970s – Present Day
Unfinished Business: A study into the narrative techniques used to represent relationships between university-educated mothers and daughters in contemporary fiction
Nineteenth-century Ambivalence and the Gendered Body: A Practice-based Study of Dr James Barry
A study into the narrative techniques used to convey non-physical childhood sexual abuse and trauma in contemporary Western fiction
Adaptation of literature into opera as a reflection of Italian cultural imagination and identity.
Unfinishing: The Draft Poetics of Lyn Hejinian, Susan Howe, and Rachel Blau DuPlessis
Duplicates, Dispersal and Disposal in Museums
Storytelling Personal Collections: A Tool to Dismantle the Concept of the ‘Other Audience’
Employing the materiality of clothed bodies to ask for change: the social and political weight of Greenham Women’s dress (1981-2000).
William Blake and London: The Artist Visualising Jerusalem
Dance as Play: building and fostering relationships in a post-pandemic society.
The Significance of Magazine Publishing for Black British Art
Developing a TV Drama for the Misrepresented: British Female Arab Actors
Seeing the Funny Side: Slapstick, Visuality, and Victorian Literary Form
Affective Scribal Activity in Medieval Devotional Writing, 1300-1500
From Ashes To Eternity - The Unknown Music Compositions of the Nazi Concentration Camps
Clothing matters: Uncovering overlooked aspects of the Holocaust through Charlotte Delbo’s literary representations of garments
Resistance, Collaboration, and the Spaces in Between: the Internment of British Citizens in France, 1935-1955
Vibrational kinship: Resonances of moving, sounding and listening bodies
The Micro-Histories of Rural Romano-Egyptian Households
The Role of Keats House in the Twenty-First Century Reception and Reputation of John Keats
World Building in Time and Space: Open World Video Game Mechanics in Contemporary Art Practice
Using reflective sociocultural e‐portfolios in a non‐immersion language learning context
(Un)containable Bodies: Experiments in Life-Writing and Form, post-1968
Home Away from Home: Exploring 'neighbourliness' and community identities among British South Asians, 1960 to 2017
Where are all the Lesbians? In search of Lesbian Lives in Museums.
Representations of Muslim Masculinities in Contemporary British and American Diaspora Novels
Narrative navigatio of former nuns: Exploring stories of transgression, reflexivity and transcendence through life history
Pride Flags and Queer Networks: The Making of the Transnational LGBTQ+ Community
Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989
Inclusive Engagement Practice
Uncovering queer histories and dissonant sexualities in rural England, c.1800-1950
Mapping Messengers: The work, urban mobility, and lived experiences of London motorcycle despatch riders, 1970 – 2000.
The Nita Harvey Archive: Hidden History, Experience and Objectification in the 1930s Hollywood Star System.
Milk to Gall: Representations of Angry Women on Page and Stage
Commemorating the Equal Franchise Act 1928
Economies of Natural History: Publishing Science in Victorian and Edwardian Britain
“West African Writings and Pan-African Networks: Black Periodicals and Print Culture in the Late-Victorian British Empire”
Breaking the gender and identity boundaries of the symphonic form during the 20th century and beyond
The Semantics and Pragmatics of Taboo Words
Sound Art and Visual Culture: The Anti-Book Experiment in the Romanov Empire and the USSR, 1881-1932
Freedom Walks: Reanimating Ghanaian and West African Cultural Artefacts through Performance.
Edward Gorey’s Neo-Victorian Picturebooks: Unravelling the Dark Humours of Childhood Culture
The Covent Garden Ladies: Life Beyond Harris’s List
Empowering Displaced Children: Reimagining Urban Spaces with children
Diverse Shakespeare: New Writing from Shakespeare's Globe
Speaking Truth to Power: A History of Galop and the LGBTQ Community's Responses to Violence
Archiving the Disaster: Preservation, Separation and Encounter
Can you hear us? A new model of East Asian students’ authorial voice in academic writing from a multilingual perspective
Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas
Choreography as Curation as Hosting: Relational complexities and modes of production in an expanded field of practice
Fashion at Speed: Spectacular Histories of Fashion, Flying and Motorsport From the Twentieth Century Collections of Brooklands Museum 1907-1939
A Postcolonial Investigation of Desiring Homegrown Dating Apps in Contemporary India
Voices from the Margins: The Cyborg Concept Album
Materiality in Comics - Reframing Sequential Function in Graphic Novels by Confronting the Page as Surface
The polyglot writer: what multilingual texts reveal about writers’ emotional attachment to the languages they speak
Colonial Coral: Design for Decolonising More-than-Human Worlds in the Natural History Museum
Metaphors for the Social Transformations of Arab Cities: Aleppo, Baghdad, and Jerusalem Through Three Novels
Caribbean Jazz: A Performative Discourse on the Roots, Rhythms, and Reach of Anglophone and Francophone Caribbean Jazz
The Geopower of Air and Fire: a Cultural Geography of Fiery Rituals in China
Image Without Resemblance: combining co-creative artwork description practices, divergent mimesis and post-modern narrative technique towards an anti-ocularcentric writing methodology.
Pride, Passengers and Personnel: Collecting LGBTQ+ Experiences in and on London’s Transport in the 1970s and 1980s.
Moving Pictures, Music and Theatrical Exhibition in London, 1914–1930
Photography by Train: New Leisure Experiences of Heritage in Britain, 1880s-1930s
Glass architecture and photography in late nineteenth-century storytelling
Microhistories of the Holocaust and the Use of Family History: The Families Ganz / Brenzinger, c1871 - 1945
Unattributable Briefs: Painting and Drawing Black Resistance Histories in the English speaking Caribbean, 1969-1974
Vectors: feminist speculations on technologies of subjecthood, objectification and gender in futuristic sex work
A practice-based autobiographical investigation of the fashion material culture of Caribbean female couturiers from the 1930s to the present day
Dancing as Religious Embodiment: A Philosophical Perspective on Esotericism and Occultism in Early Modern Dance
'Wonderful and Astonishing Occurrences’: The Miraculous and Wondrous in William of Newburgh’s Historia rerum Anglicarum
Towards a ‘Theory of Taking’: Whiteness and Collectors of Ethnographic Objects in 19th Century North America
The Theatricalization of Class in Performance, Policy and Practice.
Ecohorror and the work of Annie Proulx: Imagining Non-Human Trauma Victims
It's Not the End of the World: Nonlinear Time and Neurodivergent Making
On Our Own Behalf: Theory, Strategy, and Practice within the Disabled People’s Movement in Britain
The notational: mental health and female identity in the diary films of Anne Charlotte Robertson
Identity Confusion and ‘Mad Gain’ in Nineteenth-Century England, France, and Russia
A Minor Autobiographical Tradition: Automemoir from Nineteenth-century France to Virtual Worlds’’
Between Tradition and Innovation: Women's Textiles in Venetia during the Fascist Era (1920s-1940s)
SOUNDING OUT IDENTITIES OF THE ARTIFICIAL VOICE
Pernicious Philanthropy: The legal and medical fetishisation of black female childhood
Media representations and lived experiences of working-class women’s unpaid domestic labour
Dismantling modern-day slavery: Learning from the lives of indentured brick kiln workers in peri-urban Pakistan.
Resourcing Gypsy, Romany, Traveller trans youth in the UK: An exploration of intersectionality using heritage as a vehicle for empowerment
The politics of memory in Alsace: Nationalisation and gender in the aftermath of the Second World War
Changing Dynamics of Shi'ism in Kashmir: Commemorative practices, Identity and Transnational Influences.
‘What do women activists sound like?’ An exploration of women’s environmental activism in Europe through the lens of community radios
Re-storying the city: applying urban perspectives to eco-storytelling
Television Drama in Transition: Screen Two, the Single Play, and the Television Film
Queer as Friends: rewriting the platonic-romantic relationship binary between women
The garden as a site to cultivate queer anti-racist communities
The Author is Present: Contemporary Bio-Memoir (2010-2020)
“Priceless Gems of Living Thought”: Literary Encounters with Anarchism at the fin de siècle
The Weaponization of Beauty: British female film stars and the struggle for women’s agency 1938-1948
Belonging in the City: Poetics of Place as Acts of Resistance Against Hyper-Commodification
The Margins of Instruction: Educating Children through Narrative in Mid-Nineteenth Century Britain
I Woz Ere: An Intimate Look at the Forgotten Tower Blocks of the Edinburgh City Skyline
A creative and critical investigation into women in theatre
“We must carry on”: The Jewish Relief Unit, Displaced Persons and Anglo-Jewish Humanitarianism in Postwar Europe
Sensory Experience in the Contact Zone 1876 - 1938
Designing for Dignity, Ownership and Representation: new approaches to the inclusivity of the homeless community.
An Analysis of Muhammad Marmaduke Pickthall’s Intellectual Thought in India; Exploring its Development and Contemporary Significance
The ‘Golden Chain’? - Tradition as a Philosophical Problem
The making of a global arboretum: the case of the Royal Botanic Gardens, Kew
Rethinking Birth and Maternity as Philosophical Categories: Hannah Arendt’s Notion of Natality in Dialogue with Contemporary Feminist Thought
Sites of Art Writing: Tonalities in ‘Post-Conflict’ Northern Ireland
Undefinable: Performance and the Radical Practice of Generative Neurodiversity
The BBC and Northern Ireland: creating and accepting a shared history
The Socialist Being of a Thing: The Concepts of Object and Structure in Soviet Constructivism and Bruno Latour's Legacy
Knowing ourselves as embodied beings: Trans-forming Heidegger, Irigaray against Derrida
Women’s Movements in Africa: Digital Collective Identity Building and Offline Organising in Ethiopia and Kenya
Cultures of Hand-knitting in North India: Provenance, Domesticity and Gendered Learning, c.1850-1980
The 'Lost' Museum: The rise and fall of the British Empire in objects
Exploration into the features and characteristics of cognitive processing within multimodal “concept/puzzle advertisements”
A Cross-Century Communication between Elizabeth Gaskell and Virginia Woolf via “the Chinese Katherine Mansfield”: Narrative Legacy across Time and Space
The Biocultural Diaspora of Tea in the 21st Century
Translating place: orthography and the problem of place names at the Royal Geographical Society, 1830–1919