Anne Nielsen
Duplicates, Dispersal and Disposal in Museums
Duplicates, Dispersal and Disposal in Museums
Healing women: Early modern women as healers in their own texts, practices and representations
The Geographical Museum: Making Knowledge through Objects
The Role of Keats House in the Twenty-First Century Reception and Reputation of John Keats
Towards a ‘Theory of Taking’: Whiteness and Collectors of Ethnographic Objects in 19th Century North America
From Ashes To Eternity - The Unknown Music Compositions of the Nazi Concentration Camps
Mapping Messengers: The work, urban mobility, and lived experiences of London motorcycle despatch riders, 1970 – 2000.
Mia san Mia and Bergkamp in Marseille: Language and identity in football locales
Pride, Passengers and Personnel: Collecting LGBTQ+ Experiences in and on London’s Transport in the 1970s and 1980s.
Decolonisation guidance and its impact on museum learning practice
Where are all the Lesbians? In search of Lesbian Lives in Museums.
Developing semi-permanent design displays in an era of rapid climate change
Uncovering queer histories and dissonant sexualities in rural England, c.1800-1950
Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989
Colonial Rhizomes: Knowledge production of southern Africa through archives and displays in museums
Listening in From the Museum
The 'Lost' Museum: The rise and fall of the British Empire in objects
The Biocultural Diaspora of Tea in the 21st Century