Aurore Damoiseaux
Employing the materiality of clothed bodies to ask for change: the social and political weight of Greenham Women’s dress (1981-2000).
Employing the materiality of clothed bodies to ask for change: the social and political weight of Greenham Women’s dress (1981-2000).
Photography by Train: New Leisure Experiences of Heritage in Britain, 1880s-1930s
Black British History, Inclusive Teaching and Curriculum Reform
From Ashes To Eternity - The Unknown Music Compositions of the Nazi Concentration Camps
The Micro-Histories of Rural Romano-Egyptian Households
Selling Shippam's: Food Consumption, Visuality and Post-War Culture
Economies of Natural History: Publishing Science in Victorian and Edwardian Britain
Moving Pictures, Music and Theatrical Exhibition in London, 1914–1930
Colonial modernity in Dongdaemun garment district and its fashion production (1910-2014)
Narrative navigatio of former nuns: Exploring stories of transgression, reflexivity and transcendence through life history
Between Tradition and Innovation: Women's Textiles in Venetia during the Fascist Era (1920s-1940s)
Wired for the War?: The Role of British Telegraphy and Communication Networks in World War II
Colonial Coral: Design for Decolonising More-than-Human Worlds in the Natural History Museum
The Nita Harvey Archive: Hidden History, Experience and Objectification in the 1930s Hollywood Star System.
Television Drama in Transition: Screen Two, the Single Play, and the Television Film
Pride, Passengers and Personnel: Collecting LGBTQ+ Experiences in and on London’s Transport in the 1970s and 1980s.
Duplicates, Dispersal and Disposal in Museums
‘Crafting a Life’: examining the role of craft in lesbian dress and textiles through oral history, c.1963-2003
Seeing the Funny Side: Slapstick, Visuality, and Victorian Literary Form
Dancing as Religious Embodiment: A Philosophical Perspective on Esotericism and Occultism in Early Modern Dance
Resistance, Collaboration, and the Spaces in Between: the Internment of British Citizens in France, 1935-1955
I Woz Ere: An Intimate Look at the Forgotten Tower Blocks of the Edinburgh City Skyline
Publishing Feminism: Poli Gynaikon, Feminist Media, and the Transnational Exchange of Ideas
An Analysis of Muhammad Marmaduke Pickthall’s Intellectual Thought in India; Exploring its Development and Contemporary Significance
Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989
Global Humanitarianism: Quaker Aid to Refugees from Nazism, 1938-1945
Death-style: An essay film investigation of 1980s images of gay male depravity through the lens of ‘queer negativity’
Changing Dynamics of Shi'ism in Kashmir: Commemorative practices, Identity and Transnational Influences.
The making of a global arboretum: the case of the Royal Botanic Gardens, Kew
Pride Flags and Queer Networks: The Making of the Transnational LGBTQ+ Community
Cultures of Hand-knitting in North India: Provenance, Domesticity and Gendered Learning, c.1850-1980
Caribbean Jazz: A Performative Discourse on the Roots, Rhythms, and Reach of Anglophone and Francophone Caribbean Jazz
Home Away from Home: Exploring 'neighbourliness' and community identities among British South Asians, 1960 to 2017
Where are all the Lesbians? In search of Lesbian Lives in Museums.
Travelling Circus Animals: traversing boundaries of performer, pet and property 1822-1925
Sound Art and Visual Culture: The Anti-Book Experiment in the Romanov Empire and the USSR, 1881-1932
The Socialist Being of a Thing: The Concepts of Object and Structure in Soviet Constructivism and Bruno Latour's Legacy
The 'Lost' Museum: The rise and fall of the British Empire in objects
Uncovering queer histories and dissonant sexualities in rural England, c.1800-1950
Microhistories of the Holocaust and the Use of Family History: The Families Ganz / Brenzinger, c1871 - 1945
Speaking Truth to Power: A History of Galop and the LGBTQ Community's Responses to Violence
Nineteenth-century Ambivalence and the Gendered Body: A Practice-based Study of Dr James Barry
The Covent Garden Ladies: Life Beyond Harris’s List
Exploration into the features and characteristics of cognitive processing within multimodal “concept/puzzle advertisements”
Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas
“Lesbian?”... “She no Lebanese. She Punjabi!”: Tracing the experiences of working-class, queer British South Asian women, 1970s to 1990s
Adaptation of literature into opera as a reflection of Italian cultural imagination and identity.
Literary Heritage and the Public Archives: The Diverse Women of Britain’s Special Operations Executive, F Section
The Biocultural Diaspora of Tea in the 21st Century
A Cross-Century Communication between Elizabeth Gaskell and Virginia Woolf via “the Chinese Katherine Mansfield”: Narrative Legacy across Time and Space
Milk to Gall: Representations of Angry Women on Page and Stage