Imogen Reeve
Media and performance arts
University of Roehampton London
Revealing gender bias in generative AI through embodied and choreographic practices
Revealing gender bias in generative AI through embodied and choreographic practices
Queering the Simulacrum: How Can Generative AI Video Practice Be Challenged and Elevated Through Queer Expanded Cinema
Generative AI and Composing Musical Narrative
Disrupter or enabler? Assessing the impact of using automatic speech recognition technology in interpreter-mediated legal proceedings
A Minor Autobiographical Tradition: Automemoir from Nineteenth-century France to Virtual Worlds’’
Tools for Persuasion: methods of storytelling in UK and US courtrooms
Cold Love: Can screened depictions of love between humans and robots legitimately contribute to debates regarding socio-ethical implications of HRI