Louis Emmitt-Stern
Dramatic Writing Practice and Pedagogy: Training the Contemporary Scriptwriter
Dramatic Writing Practice and Pedagogy: Training the Contemporary Scriptwriter
Moving Pictures, Music and Theatrical Exhibition in London, 1914–1930
Immersive Theatre Process & Production: Developing a Capture Methodology for Archiving Digital Storytelling
The Theatricalization of Class in Performance, Policy and Practice.
Between Art and Writing: Translating meaning through the ‘text-as-host’ in contemporary art writing practice
Inferred Publics and Interfering Voices: exploring implication as a critical tool within contemporary art and performance practices
“The Unconditional Spectator”: Ethnographic Study of Adaptation in Theatre for Young Audiences
Unfinishing: The Draft Poetics of Lyn Hejinian, Susan Howe, and Rachel Blau DuPlessis
Unfinished Business: A study into the narrative techniques used to represent relationships between university-educated mothers and daughters in contemporary fiction
Pride, Passengers and Personnel: Collecting LGBTQ+ Experiences in and on London’s Transport in the 1970s and 1980s.
rub rub rub rub rub rub brush brush quiver oh hello, you: Queer Captioning as Material
Edward Gorey’s Neo-Victorian Picturebooks: Unravelling the Dark Humours of Childhood Culture
Representations of Muslim Masculinities in Contemporary British and American Diaspora Novels
Sites of Art Writing: Tonalities in ‘Post-Conflict’ Northern Ireland
The Biocultural Diaspora of Tea in the 21st Century
‘Calling to theory, calling to bed’: Transpoetics After the Sign
Acoustic Agency: Reimagining Mental Health Spaces through Sound and Art
(Un)containable Bodies: Experiments in Life-Writing and Form, post-1968
Tools for Persuasion: methods of storytelling in UK and US courtrooms
‘Cleaving’ Queer Aesthetics: Contemporary Indian Performance at the Intersections of Caste, Gender and Sexual Politics.
Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989