Tonya North
Signing Sound: Deaf Gain within Inclusive Co-Created Audio Descriptions of Museum Experiences
Signing Sound: Deaf Gain within Inclusive Co-Created Audio Descriptions of Museum Experiences
Duplicates, Dispersal and Disposal in Museums
Healing women: Early modern women as healers in their own texts, practices and representations
The Geographical Museum: Making Knowledge through Objects
Selling Shippam's: Food Consumption, Visuality and Post-War Culture
The Role of Keats House in the Twenty-First Century Reception and Reputation of John Keats
Towards a ‘Theory of Taking’: Whiteness and Collectors of Ethnographic Objects in 19th Century North America
Mapping Messengers: The work, urban mobility, and lived experiences of London motorcycle despatch riders, 1970 – 2000.
From Ashes To Eternity - The Unknown Music Compositions of the Nazi Concentration Camps
Where are all the Lesbians? In search of Lesbian Lives in Museums.
Pride, Passengers and Personnel: Collecting LGBTQ+ Experiences in and on London’s Transport in the 1970s and 1980s.
Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989
Developing semi-permanent design displays in an era of rapid climate change
Uncovering queer histories and dissonant sexualities in rural England, c.1800-1950
Reclaiming Nüshu: A participatory method to reinterpret a Women’s Hidden Script in Rural China
Listening in From the Museum
Colonial Rhizomes: Knowledge production of southern Africa through archives and displays in museums
The 'Lost' Museum: The rise and fall of the British Empire in objects
The Biocultural Diaspora of Tea in the 21st Century
L’ Orecchio Teso L’ Occhio Sordo, A Regenerative Curatorial Practice Within The IsIAO Colonial Photographic Archive