Sara O'Brien
Art and design
Royal Holloway University of London
Between Art and Writing: Translating meaning through the ‘text-as-host’ in contemporary art writing practice
Techne
art
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Gareth Brookes
Culture and communicationsUniversity of the Arts LondonMateriality in Comics - Reframing Sequential Function in Graphic Novels by Confronting the Page as Surface
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Amelia Crouch
Media and performance artsUniversity of the Arts LondonEpisodic self-display and shifting modes of address: Performing identity in artists' moving image in a neoliberal era of post-truth
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Jessica Higgins
Art and designKingston University LondonInferred Publics and Interfering Voices: exploring implication as a critical tool within contemporary art and performance practices
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Lucie McLaughlin
Art and designKingston University LondonSites of Art Writing: Tonalities in ‘Post-Conflict’ Northern Ireland
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Armando Romero
Culture and communicationsUniversity of SurreyAquinas and determinatio: an exemplary theory of precedent
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Edwin Mingard
Culture and communicationsKingston University LondonMaking, Unmaking and Remaking History: Exhibition Programming at Chisenhale Gallery in the late 1980s
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Roselle Knowles
Culture and communicationsRoyal Holloway University of LondonRe-imagining liminal therapeutic landscapes
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Samuel Hertz
Culture and communicationsRoyal Holloway University of LondonScales of Change: Addressing Global Environmental Change through Transdisciplinary Sonic Practices
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Manuel Cini
Media and performance artsUniversity of SurreyFrom Ashes To Eternity - The Unknown Music Compositions of the Nazi Concentration Camps
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Hannah Kemp-Welch
Art and designUniversity of the Arts LondonListening in Socially-Engaged Art: Artistic Strategies for Equitable Collaboration
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Gabriel Hoosain Khan
Art and designUniversity of BrightonArt, resistance, and healing: on the potentials of using the Creative Change Laboratory (CCoLAB) among queer youth in Brighton
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Kitty Clark
Culture and communicationsKingston University LondonWorld Building in Time and Space: Open World Video Game Mechanics in Contemporary Art Practice
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Anna Clifford
Media and performance artsRoyal Holloway University of LondonListening in From the Museum
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Josh Whitaker
Languages and literaturesUniversity of the Arts London‘Messianic Adaptation: Pier Paolo Pasolini’s Script for ‘San Paolo’’
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Lindsay Sekulowicz
Histories and philosophiesUniversity of BrightonCollection to Source: Cosmology and Ethnobotanical belongings of the Northwest Amazon
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Pratibha Joshi
Languages and literaturesUniversity of SurreyMapping India’s Audio Description Practice within an emerging Art Museum Community: The Role of Professional Training on ‘Non-Expert’ Audio Description
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Joseph Rizzo Naudi
Languages and literaturesRoyal Holloway University of LondonImage Without Resemblance: combining co-creative artwork description practices, divergent mimesis and post-modern narrative technique towards an anti-ocularcentric writing methodology.
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Maud Craigie
Culture and communicationsKingston University LondonTools for Persuasion: methods of storytelling in UK and US courtrooms
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Amy Hare
Culture and communicationsKingston University LondonPeriod Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas
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Marta Marsicka
Culture and communicationsUniversity of the Arts LondonRepresentation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989
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Mike Blackburn
Languages and literaturesKingston University LondonExploration into the features and characteristics of cognitive processing within multimodal “concept/puzzle advertisements”