David Blanar
Immersive Theatre Process & Production: Developing a Capture Methodology for Archiving Digital Storytelling
Immersive Theatre Process & Production: Developing a Capture Methodology for Archiving Digital Storytelling
Exploration into the features and characteristics of cognitive processing within multimodal “concept/puzzle advertisements”
World Building in Time and Space: Open World Video Game Mechanics in Contemporary Art Practice
Storytelling in Libraries: Making Community
An Indigenous gaze: looking through and envisioning contemporary Indigenous visual representations in the Andean region
Generative AI and Composing Musical Narrative
Queer Immortality: The creation, collection, preservation and distribution of LGBTQ+ histories through Small Art and participatory DIY artistic initiatives.
Cold Love: Can screened depictions of love between humans and robots legitimately contribute to debates regarding socio-ethical implications of HRI
Image Without Resemblance: combining co-creative artwork description practices, divergent mimesis and post-modern narrative technique towards an anti-ocularcentric writing methodology.
Performing Pain: How Stand-Up Comedy Functions as an Autobiographical Performative Act of Self-Authorship and Resistance in Narrating Disability and Pain