Techne

Twentieth-century British and Chinese Modernism

  • Xi (Bonnie) Liu

    Xi (Bonnie) Liu

    Languages and literatures
    Royal Holloway University of London

    A Cross-Century Communication between Elizabeth Gaskell and Virginia Woolf via “the Chinese Katherine Mansfield”: Narrative Legacy across Time and Space

  • Izzy Barrett Lally

    Izzy Barrett-Lally

    Histories and philosophies
    Royal Holloway University of London

    A Minor Autobiographical Tradition: Automemoir from Nineteenth-century France to Virtual Worlds’’

  • Monica Jae Yeon Moon

    Monica Jae Yeon Moon

    Culture and communications
    University of Brighton

    Colonial modernity in Dongdaemun garment district and its fashion production (1910-2014)

  • Jessica Corfield

    Jessica Corfield

    Languages and literatures
    University of Westminster

    ‘I have come to claim / Marilyn Monroe’s body’: Exploring Identification through Star Images in American Lyric Poetry.

  • Dana Hajaj

    Dana Hajaj

    Media and performance arts
    Royal Holloway University of London

    Developing a TV Drama for the Misrepresented: British Female Arab Actors

  • Oknim Jo [Square]

    Oknim Jo

    Art and design
    University of Brighton

    Transnational Studies of Interior Design Practice in South Korea from the 1960s to the 1980s

  • Emma Haughton

    Emma Haughton

    Media and performance arts
    Kingston University London

    Breaking the gender and identity boundaries of the symphonic form during the 20th century and beyond

  • IMG Profile Photo Mercier

    Alice Mercier

    Languages and literatures
    University of Westminster

    What defined photography in the late-nineteenth century printed press?: The presentation of photography as sequences of states and processes in illustrated magazines and the photographic press, 1880s-1890s

  • Hannah Francis

    Hannah Francis

    Royal Holloway University of London

    Black British History, Inclusive Teaching and Curriculum Reform

  • Lillian Crawford

    Lillian Crawford

    Media and performance arts
    Royal Holloway University of London

    Television Drama in Transition: Screen Two, the Single Play, and the Television Film

  • Jacqueline Grainger.jpg

    Jacqueline Grainger

    Histories and philosophies
    University of Westminster

    The 'Lost' Museum: The rise and fall of the British Empire in objects

  • Heathcliff Newman.png

    Heathcliff Newman

    Languages and literatures
    Royal Holloway University of London

    Identity Confusion and ‘Mad Gain’ in Nineteenth-Century England, France, and Russia

  • Sylvie Jane Lewis

    Sylvie Jane Lewis

    Languages and literatures
    University of Brighton

    An Archive of Fairies: Modernism, Fantasy, and Shy Ephemera 1890-1930

  • Jake Stumpf

    James Stumpf

    Histories and philosophies
    Brunel University London

    Laws of Empire and Nation: Legal Assimilation and Subjugation in Alsace and Lorraine Under French and German Rule, 1852-1939

  • Sally Jones

    Sally Jones

    Culture and communications
    University of Brighton

    Selling Shippam's: Food Consumption, Visuality and Post-War Culture

  • Rhiannon Smith

    Rhiannon Smith

    Media and performance arts
    University of the Arts London

    The Theatricalization of Class in Performance, Policy and Practice.

  • Eve Barro

    Eve Barro

    Art and design
    Loughborough University London

    Colonial Coral: Design for Decolonising More-than-Human Worlds in the Natural History Museum

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    Nick Brown

    Culture and communications
    University of the Arts London

    The Significance of Magazine Publishing for Black British Art

  • Rudy Loewe.jpg

    Rudy Loewe

    Culture and communications
    University of the Arts London

    Unattributable Briefs: Painting and Drawing Black Resistance Histories in the English speaking Caribbean, 1969-1974

  • Amy Hare

    Amy Hare

    Culture and communications
    Kingston University London

    Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas

  • Thomas Hull

    Tom Hull

    Languages and literatures
    University of Brighton

    Nineteenth-century Ambivalence and the Gendered Body: A Practice-based Study of Dr James Barry

  • Max Annoot

    Max Annoot

    Languages and literatures
    Kingston University London

    'Two men on a summer night, with nowhere to call their own': ‘Affective Precarity’ in British Gay Men's Contemporary Fiction

  • Tom Pryce

    Tom Pryce

    Histories and philosophies
    University of Brighton

    Knowing ourselves as embodied beings: Trans-forming Heidegger, Irigaray against Derrida

  • Rosie Blacher

    Rosie Blacher

    Languages and literatures
    Kingston University London

    Sensory Experience in the Contact Zone 1876 - 1938

  • Sunil Shah.jpg

    Sunil Shah

    Media and performance arts
    University of the Arts London

    Documenta 11: Art's Global Entanglement

  • Marta Garcia

    Marta García

    Languages and literatures
    University of Roehampton London

    Painting Critical-Creative Writing: J. M. Barrie, F. Scott Fitzgerald, and Zelda

  • Regan Ebsworth

    Regan Ebsworth

    Histories and philosophies
    Brunel University London

    Resistance, Collaboration, and the Spaces in Between: the Internment of British Citizens in France, 1935-1955

  • Soumyaseema Mandal

    Soumyaseema Mandal

    Royal Holloway University of London

    “Lesbian?”... “She no Lebanese. She Punjabi!”: Tracing the experiences of working-class, queer British South Asian women, 1970s to 1990s

  • Supraja Ramesh

    Supraja Ramesh

    Culture and communications
    Brunel University London

    ‘Cleaving’ Queer Aesthetics: Contemporary Indian Performance at the Intersections of Caste, Gender and Sexual Politics.

  • Christina Hourigan.jpg

    Christina Hourigan

    Histories and philosophies
    Royal Holloway University of London

    The making of a global arboretum: the case of the Royal Botanic Gardens, Kew