
Anna Clifford
Listening in From the Museum
Listening in From the Museum
Scales of Change: Addressing Global Environmental Change through Transdisciplinary Sonic Practices
Between Art and Writing: Translating meaning through the ‘text-as-host’ in contemporary art writing practice
Episodic self-display and shifting modes of address: Performing identity in artists' moving image in a neoliberal era of post-truth
Sounds from Outside: Mapping Transnational Communities in Contemporary Experimental and Exophonic Poetry
Art, resistance, and healing: on the potentials of using the Creative Change Laboratory (CCoLAB) among queer youth in Brighton
Aquinas and determinatio: an exemplary theory of precedent
From Hargeisa to London: A living sound archive of Somalis in Britain
From Ashes To Eternity - The Unknown Music Compositions of the Nazi Concentration Camps
Memorialisation and Posthumous Curation: The Displacing of the Victorian Voice, Corpse and Corpus in an Evolving Heritage Sector
World Building in Time and Space: Open World Video Game Mechanics in Contemporary Art Practice
Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989
Materiality in Comics - Reframing Sequential Function in Graphic Novels by Confronting the Page as Surface
Sites of Art Writing: Tonalities in ‘Post-Conflict’ Northern Ireland
Tools for Persuasion: methods of storytelling in UK and US courtrooms
Collection to Source: Cosmology and Ethnobotanical belongings of the Northwest Amazon
Inferred Publics and Interfering Voices: exploring implication as a critical tool within contemporary art and performance practices
Making, Unmaking and Remaking History: Exhibition Programming at Chisenhale Gallery in the late 1980s
Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas
Listening in Socially-Engaged Art: Artistic Strategies for Equitable Collaboration
Image Without Resemblance: combining co-creative artwork description practices, divergent mimesis and post-modern narrative technique towards an anti-ocularcentric writing methodology.
‘Messianic Adaptation: Pier Paolo Pasolini’s Script for ‘San Paolo’’
Mapping India’s Audio Description Practice within an emerging Art Museum Community: The Role of Professional Training on ‘Non-Expert’ Audio Description
Exploration into the features and characteristics of cognitive processing within multimodal “concept/puzzle advertisements”
L’ Orecchio Teso L’ Occhio Sordo, A Regenerative Curatorial Practice Within The IsIAO Colonial Photographic Archive