Emrys Travis
De/Constructing Identity: French, Italian, and British Gay Liberationism in the Long ‘68
De/Constructing Identity: French, Italian, and British Gay Liberationism in the Long ‘68
Queering the Simulacrum: How Can Generative AI Video Practice Be Challenged and Elevated Through Queer Expanded Cinema
I Woz Ere: An Intimate Look at the Forgotten Tower Blocks of the Edinburgh City Skyline
The Real Monster in ‘Sleeping Beauty’: An Examination of Aurora through the ‘Faces’ of the Monstrous-Feminine
‘I have come to claim / Marilyn Monroe’s body’: Exploring Identification through Star Images in American Lyric Poetry.
Representations of Muslim Masculinities in Contemporary British and American Diaspora Novels
'Two men on a summer night, with nowhere to call their own': ‘Affective Precarity’ in British Gay Men's Contemporary Fiction
“Lesbian?”... “She no Lebanese. She Punjabi!”: Tracing the experiences of working-class, queer British South Asian women, 1970s to 1990s
‘Calling to theory, calling to bed’: Transpoetics After the Sign
Art, resistance, and healing: on the potentials of using the Creative Change Laboratory (CCoLAB) among queer youth in Brighton
Fragmented Bodies, Fragmented Stories: Exploring Endometriosis Through Multidisciplinary Creative Practice to Challenge Cultural Narratives of Women's Pain
Queer Whores: Embodied Knowledge and Performance Practices in Sex Work
Revealing gender bias in generative AI through embodied and choreographic practices
Bridging the gap between affective and linguistic processing in foreign language learners
Death-style: An essay film investigation of 1980s images of gay male depravity through the lens of ‘queer negativity’
Cruising the cut: Lesbian histories of mobility and queer futures of boat-dwelling on the UK's canals
Instituent Power: Social Structure and Political Practice in Roberto Esposito and Cornelius Castoriadis
What defined photography in the late-nineteenth century printed press?: The presentation of photography as sequences of states and processes in illustrated magazines and the photographic press, 1880s-1890s
rub rub rub rub rub rub brush brush quiver oh hello, you: Queer Captioning as Material
The notational: mental health and female identity in the diary films of Anne Charlotte Robertson
The Geopower of Air and Fire: a Cultural Geography of Fiery Rituals in China
A Feminist Critique of the Veterinary Industry: working towards improved human and non-human welfare.
Complexity Theory’s Potential For Creative Writing: Open Systems, Nonlinearity, Chaos And Emergence In The Twenty-First Century Trauma Novel
Cinephilia’s “Horizontal Terrain”: Exploring Chinese Digital Cinephile Culture Through Pinglun
Exploration into the features and characteristics of cognitive processing within multimodal “concept/puzzle advertisements”
A Minor Autobiographical Tradition: Automemoir from Nineteenth-century France to Virtual Worlds’’
Dirty Work: Latin American Horror and the Invisible Violence of Domestic Servitude
‘Cleaving’ Queer Aesthetics: Contemporary Indian Performance at the Intersections of Caste, Gender and Sexual Politics.
Sensory Experience in the Contact Zone 1876 - 1938
Towards a decolonized future examining the meaning of solidarity alliance in settler states