Techne

Performance Studies

  • Supraja Ramesh

    Supraja Ramesh

    Culture and communications
    Brunel University London

    ‘Cleaving’ Queer Aesthetics: Contemporary Indian Performance at the Intersections of Caste, Gender and Sexual Politics.

  • Maddie Burdon

    Maddie Burdon

    Histories and philosophies
    University of the Arts London

    Queer Whores: Embodied Knowledge and Performance Practices in Sex Work

  • Jessica Higgins

    Jessica Higgins

    Art and design
    Kingston University London

    Inferred Publics and Interfering Voices: exploring implication as a critical tool within contemporary art and performance practices

  • David Blanar

    David Blanar

    Art and design
    University of the Arts London

    Immersive Theatre Process & Production: Developing a Capture Methodology for Archiving Digital Storytelling

  • Himan Heidari2.png.jpg

    Himan Heidari

    Languages and literatures
    University of Roehampton London

    Curious Travellers and Ambivalent Performers: British Women Travellers and Orientalism in Kurdistan (1890-1940)

  • Anne Nielsen

    Anne Nielsen

    Culture and communications
    University of Brighton

    Duplicates, Dispersal and Disposal in Museums

  • Amelia Crouch.jpg

    Amelia Crouch

    Media and performance arts
    University of the Arts London

    Episodic self-display and shifting modes of address: Performing identity in artists' moving image in a neoliberal era of post-truth

  • Jessa Fairbrother

    Jessa Fairbrother

    Culture and communications
    Kingston University London

    Reaching to the stars: astrology and the body in the past, present and future

  • Ömercan Tüm

    Ömercan Tüm

    Languages and literatures
    University of Brighton

    Representations of Muslim Masculinities in Contemporary British and American Diaspora Novels

  • Serafina Lee

    Serafina Lee

    Languages and literatures
    Royal Holloway University of London

    Unfinishing: The Draft Poetics of Lyn Hejinian, Susan Howe, and Rachel Blau DuPlessis

  • Amy Sheppard.jpg

    Amy Sheppard

    Media and performance arts
    Kingston University London

    Loss, a practice for making; catalysing new methods for movement practice and performance

  • Max Annoot

    Max Annoot

    Languages and literatures
    Kingston University London

    'Two men on a summer night, with nowhere to call their own': ‘Affective Precarity’ in British Gay Men's Contemporary Fiction

  • Amy Hare

    Amy Hare

    Culture and communications
    Kingston University London

    Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas

  • Lolly Sillitoe

    Lolly Sillitoe

    Languages and literatures
    University of Westminster

    Ecohorror and the work of Annie Proulx: Imagining Non-Human Trauma Victims

  • Jesse Cumming

    Jesse Cumming

    Media and performance arts
    University of Roehampton London

    The Dynamics of Development: An Analysis of the Operation and Influence of Filmmaking Laboratories and Workshops.

  • Benji Jeffrey

    Benji Jeffrey

    Media and performance arts
    Kingston University London

    Playing the Fool: Reappraising foolishness through joyful, intersectional performative practice

  • Sam Kaufman Portrait

    Sam Kaufman

    Art and design
    Kingston University London

    Sensory Worlds, Moving Images and Encounters at the Limit

  • Thomas Boulousis

    Thomas Boulousis

    Media and performance arts
    Kingston University London

    Generative AI and Composing Musical Narrative

  • Julia Pond

    Julia Pond

    Media and performance arts
    Kingston University London

    Dance and the re-articulation of value: Embodied pathways to sustainability

  • Imogen Reeve

    Imogen Reeve

    Media and performance arts
    University of Roehampton London

    Revealing gender bias in generative AI through embodied and choreographic practices

  • Oknim Jo [Square]

    Oknim Jo

    Art and design
    University of Brighton

    Transnational Studies of Interior Design Practice in South Korea from the 1960s to the 1980s

  • Eve Barro

    Eve Barro

    Art and design
    Loughborough University London

    Beneath the Surface: Thinking with the Natural History Museum's Coral Collection to Explore Ecological Care in the Chagos Archipelago

  • Rhiannon Smith

    Rhiannon Smith

    Media and performance arts
    University of the Arts London

    The Theatricalization of Class in Performance, Policy and Practice.

  • Charlotte Bookham

    Charlotte Bookham

    Culture and communications
    Royal Holloway University of London

    Travelling Circus Animals: traversing boundaries of performer, pet and property 1822-1925

  • Maud Craigie

    Culture and communications
    Kingston University London

    Tools for Persuasion: methods of storytelling in UK and US courtrooms

  • Karen Hanrahan.jpg

    Karen Hanrahan

    Languages and literatures
    University of Brighton

    Narrative navigatio of former nuns: Exploring stories of transgression, reflexivity and transcendence through life history

  • Peter Sharples

    Peter Sharples

    Media and performance arts
    Brunel University London

    Performing Pain: How Stand-Up Comedy Functions as an Autobiographical Performative Act of Self-Authorship and Resistance in Narrating Disability and Pain

  • Bill Edmonds [Square]

    Bill Edmonds

    Histories and philosophies
    Royal Holloway University of London

    Global Humanitarianism: Quaker Aid to Refugees from Nazism, 1938-1945

  • Ellie Mcdougall

    Ellie McDougall

    Languages and literatures
    University of Westminster

    ‘Calling to theory, calling to bed’: Transpoetics After the Sign

  • Adrianna Chmielewska (1)

    Adrianna Chmielewska

    Culture and communications
    Royal Holloway University of London

    Adaptation of literature into opera as a reflection of Italian cultural imagination and identity.

  • Stacy Miller

    Stacy Miller

    Media and performance arts
    Royal Holloway University of London

    “The Unconditional Spectator”: Ethnographic Study of Adaptation in Theatre for Young Audiences

  • Jessa Mockridge

    Jessa Mockridge

    Art and design
    Kingston University London

    rub rub rub rub rub rub brush brush quiver oh hello, you: Queer Captioning as Material

  • Ellennolan

    Ellen Nolan

    Culture and communications
    University of Westminster

    The Nita Harvey Archive: Hidden History, Experience and Objectification in the 1930s Hollywood Star System.

  • Jessica Corfield

    Jessica Corfield

    Languages and literatures
    University of Westminster

    ‘I have come to claim / Marilyn Monroe’s body’: Exploring Identification through Star Images in American Lyric Poetry.

  • Joana Chicau

    Joana Chicau

    Media and performance arts
    University of the Arts London

    Human-Computer Counter-Choreographies

  • Tom Pryce

    Tom Pryce

    Histories and philosophies
    University of Brighton

    Knowing ourselves as embodied beings: Trans-forming Heidegger, Irigaray against Derrida