Supraja Ramesh
‘Cleaving’ Queer Aesthetics: Contemporary Indian Performance at the Intersections of Caste, Gender and Sexual Politics.
‘Cleaving’ Queer Aesthetics: Contemporary Indian Performance at the Intersections of Caste, Gender and Sexual Politics.
Crowd as Image, Crowd as Process: A contemporary reimagining of the crowd.
Inferred Publics and Interfering Voices: exploring implication as a critical tool within contemporary art and performance practices
Immersive Theatre Process & Production: Developing a Capture Methodology for Archiving Digital Storytelling
Canguilhem, Ruyer and Simondon – A Philosophy of Life Sciences à la Française
Concrete Abstractions: Film Criticism and Dialectical Thought
Episodic self-display and shifting modes of address: Performing identity in artists' moving image in a neoliberal era of post-truth
Reaching to the stars: astrology and the body in the past, present and future
Archiving the Disaster: Preservation, Separation and Encounter
Loss, a practice for making; catalysing new methods for movement practice and performance
Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas
Playing the Fool: Reappraising foolishness through joyful, intersectional performative practice
Knowing ourselves as embodied beings: Trans-forming Heidegger, Irigaray against Derrida
Generative AI and Composing Musical Narrative
Crisis of Ecology: The Co-Constitution of Science and Value
Who is the Subject of Intersectionality? Intersectional Feminism and Structuralist Philosophies of the Subject
Dance and the re-articulation of value: Embodied pathways to sustainability
Dancing as Religious Embodiment: A Philosophical Perspective on Esotericism and Occultism in Early Modern Dance
Revealing gender bias in generative AI through embodied and choreographic practices
Queer Whores: Embodied Knowledge and Performance Practices in Sex Work
The Theatricalization of Class in Performance, Policy and Practice.
Travelling Circus Animals: traversing boundaries of performer, pet and property 1822-1925
Tools for Persuasion: methods of storytelling in UK and US courtrooms
Parataxis and being within Cities - an investigation into minority experience and production of space within Thamesmead Estate
Performing Pain: How Stand-Up Comedy Functions as an Autobiographical Performative Act of Self-Authorship and Resistance in Narrating Disability and Pain
“The Unconditional Spectator”: Ethnographic Study of Adaptation in Theatre for Young Audiences
rub rub rub rub rub rub brush brush quiver oh hello, you: Queer Captioning as Material
The Nita Harvey Archive: Hidden History, Experience and Objectification in the 1930s Hollywood Star System.
The Socialist Being of a Thing: The Concepts of Object and Structure in Soviet Constructivism and Bruno Latour's Legacy
Instituent Power: Social Structure and Political Practice in Roberto Esposito and Cornelius Castoriadis
The Geopower of Air and Fire: a Cultural Geography of Fiery Rituals in China
Animals as builders: Exploring animal buildings as sites of agency, rights, and politics