David Blanar
Immersive Theatre Process & Production: Developing a Capture Methodology for Archiving Digital Storytelling
Immersive Theatre Process & Production: Developing a Capture Methodology for Archiving Digital Storytelling
Episodic self-display and shifting modes of address: Performing identity in artists' moving image in a neoliberal era of post-truth
Inferred Publics and Interfering Voices: exploring implication as a critical tool within contemporary art and performance practices
Dance and the re-articulation of value: Embodied pathways to sustainability
The Aesthetic Vocabulary of Black Women's Experimental Work in Practice and Performance
The Theatricalization of Class in Performance, Policy and Practice.
Diverse Shakespeare: New Writing from Shakespeare's Globe
Loss, a practice for making; catalysing new methods for movement practice and performance
Becoming-with-Animal: Ecofeminist Performance Practice in Contemporary Art
The Nita Harvey Archive: Hidden History, Experience and Objectification in the 1930s Hollywood Star System.
Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas
Undefinable: Performance and the Radical Practice of Generative Neurodiversity
Tools for Persuasion: methods of storytelling in UK and US courtrooms