Marcela Rada
Media and performance arts
University of Surrey
Workflows and Production Guidelines for Immersive Music
Workflows and Production Guidelines for Immersive Music
Breaking the gender and identity boundaries of the symphonic form during the 20th century and beyond
The Materiality of Digital Music: An Assemblage of Musicians and Vital Materials
The music of speech: effort, expectations, effects and affect
From Hargeisa to London: A living sound archive of Somalis in Britain
Adaptation of literature into opera as a reflection of Italian cultural imagination and identity.
From Ashes To Eternity - The Unknown Music Compositions of the Nazi Concentration Camps
Caribbean Jazz: A Performative Discourse on the Roots, Rhythms, and Reach of Anglophone and Francophone Caribbean Jazz
Listening in From the Museum
Ways of Knowing: Multimodality in Violin Practice