Anne Nielsen
Duplicates, Dispersal and Disposal in Museums
Duplicates, Dispersal and Disposal in Museums
Colonial Coral: Design for Decolonising More-than-Human Worlds in the Natural History Museum
Freedom Walks: Reanimating Ghanaian and West African Cultural Artefacts through Performance.
‘Cleaving’ Queer Aesthetics: Contemporary Indian Performance at the Intersections of Caste, Gender and Sexual Politics.
Curious Travellers and Ambivalent Performers: British Women Travellers and Orientalism in Kurdistan (1890-1940)
Representations of Muslim Masculinities in Contemporary British and American Diaspora Novels
Mapping India’s Audio Description Practice within an emerging Art Museum Community: The Role of Professional Training on ‘Non-Expert’ Audio Description
Unfinishing: The Draft Poetics of Lyn Hejinian, Susan Howe, and Rachel Blau DuPlessis
Pluralist Exhibition Design Methods: anti-colonial graphic design in British ethnographic museums.
'Two men on a summer night, with nowhere to call their own': ‘Affective Precarity’ in British Gay Men's Contemporary Fiction
Ecohorror and the work of Annie Proulx: Imagining Non-Human Trauma Victims
The Dynamics of Development: An Analysis of the Operation and Influence of Filmmaking Laboratories and Workshops.
Entangling Umwelten: Towards a New Ecology of Moving Images and Nonhuman Worlds
Echoes in the Anthropocene: ecological sound art and ecosocialist activism in Brazil
Transnational Studies of Interior Design Practice in South Korea from the 1960s to the 1980s
Global Humanitarianism: Quaker Aid to Refugees from Nazism, 1938-1945
‘Calling to theory, calling to bed’: Transpoetics After the Sign
Narrative navigatio of former nuns: Exploring stories of transgression, reflexivity and transcendence through life history
Adaptation of literature into opera as a reflection of Italian cultural imagination and identity.
‘I have come to claim / Marilyn Monroe’s body’: Exploring Identification through Star Images in American Lyric Poetry.
Knowing ourselves as embodied beings: Trans-forming Heidegger, Irigaray against Derrida
Human-Computer Counter-Choreographies
L’ Orecchio Teso L’ Occhio Sordo, A Regenerative Curatorial Practice Within The IsIAO Colonial Photographic Archive