
Max Shirley
(Un)containable Bodies: Experiments in Life-Writing and Form, post-1968
(Un)containable Bodies: Experiments in Life-Writing and Form, post-1968
The Author is Present: Contemporary Bio-Memoir (2010-2020)
A Cross-Century Communication between Elizabeth Gaskell and Virginia Woolf via “the Chinese Katherine Mansfield”: Narrative Legacy across Time and Space
Uncovering queer histories and dissonant sexualities in rural England, c.1800-1950
"On Disability": Using my composite novel to depict a phenomenological account of the "Disability Experience" through auto-ethnographic reflections
Sites of Art Writing: Tonalities in ‘Post-Conflict’ Northern Ireland
Between Art and Writing: Translating meaning through the ‘text-as-host’ in contemporary art writing practice
A study into the narrative techniques used to convey non-physical childhood sexual abuse and trauma in contemporary Western fiction
The notational: mental health and female identity in the diary films of Anne Charlotte Robertson
Party Girl Gets Sick: Using Autofiction to Navigate Modern Issues of Identity and Illness
Unfinished Business: A study into the narrative techniques used to represent relationships between university-educated mothers and daughters in contemporary fiction
‘Messianic Adaptation: Pier Paolo Pasolini’s Script for ‘San Paolo’’
Nineteenth-century Ambivalence and the Gendered Body: A Practice-based Study of Dr James Barry
The “Way Out” (chulu): Minority Education, Youth Aspirations, and the Good Life in Southwest China
Sensory Experience in the Contact Zone 1876 - 1938
Narrative navigatio of former nuns: Exploring stories of transgression, reflexivity and transcendence through life history
Image Without Resemblance: combining co-creative artwork description practices, divergent mimesis and post-modern narrative technique towards an anti-ocularcentric writing methodology.
A Minor Autobiographical Tradition: Automemoir from Nineteenth-century France to Virtual Worlds’’