Janhvi Acharya
Home Away from Home: Exploring 'neighbourliness' and community identities among British South Asians, 1960 to 2017
Home Away from Home: Exploring 'neighbourliness' and community identities among British South Asians, 1960 to 2017
Breaking the gender and identity boundaries of the symphonic form during the 20th century and beyond
Resourcing Gypsy, Romany, Traveller trans youth in the UK: An exploration of intersectionality using heritage as a vehicle for empowerment
Microhistories of the Holocaust and the Use of Family History: The Families Ganz / Brenzinger, c1871 - 1945
Knowing ourselves as embodied beings: Trans-forming Heidegger, Irigaray against Derrida
Women’s Movements in Africa: Digital Collective Identity Building and Offline Organising in Ethiopia and Kenya
Episodic self-display and shifting modes of address: Performing identity in artists' moving image in a neoliberal era of post-truth
Representations of Muslim Masculinities in Contemporary British and American Diaspora Novels
Laws of Empire and Nation: Legal Assimilation and Subjugation in Alsace and Lorraine Under French and German Rule, 1852-1939
‘I have come to claim / Marilyn Monroe’s body’: Exploring Identification through Star Images in American Lyric Poetry.
Employing the materiality of clothed bodies to ask for change: the social and political weight of Greenham Women’s dress (1981-2000).
Voices from the Margins: The Cyborg Concept Album
Fashion at Speed: Spectacular Histories of Fashion, Flying and Motorsport From the Twentieth Century Collections of Brooklands Museum 1907-1939
Queer Immortality: The creation, collection, preservation and distribution of LGBTQ+ histories through Small Art and participatory DIY artistic initiatives.
Adaptation of literature into opera as a reflection of Italian cultural imagination and identity.
Wired for the War?: The Role of British Telegraphy and Communication Networks in World War II
The Role of Keats House in the Twenty-First Century Reception and Reputation of John Keats
Towards a ‘Theory of Taking’: Whiteness and Collectors of Ethnographic Objects in 19th Century North America
Fragmented Bodies, Fragmented Stories: Exploring Endometriosis Through Multidisciplinary Creative Practice to Challenge Cultural Narratives of Women's Pain
Curious Travellers and Ambivalent Performers: British Women Travellers and Orientalism in Kurdistan (1890-1940)
I Woz Ere: An Intimate Look at the Forgotten Tower Blocks of the Edinburgh City Skyline
The Micro-Histories of Rural Romano-Egyptian Households
Where are all the Lesbians? In search of Lesbian Lives in Museums.
The Significance of Magazine Publishing for Black British Art
An Archive of Fairies: Modernism, Fantasy, and Shy Ephemera 1890-1930
Death-style: An essay film investigation of 1980s images of gay male depravity through the lens of ‘queer negativity’
Nineteenth-century Ambivalence and the Gendered Body: A Practice-based Study of Dr James Barry
Pernicious Philanthropy: The legal and medical fetishisation of black female childhood
Media representations and lived experiences of working-class women’s unpaid domestic labour
Dismantling modern-day slavery: Learning from the lives of indentured brick kiln workers in peri-urban Pakistan.
Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989
‘What do women activists sound like?’ An exploration of women’s environmental activism in Europe through the lens of community radios
Cleopatra Stories and Community Engagement
The Nita Harvey Archive: Hidden History, Experience and Objectification in the 1930s Hollywood Star System.
The garden as a site to cultivate queer anti-racist communities
Literary Heritage and the Public Archives: The Diverse Women of Britain’s Special Operations Executive, F Section
‘Calling to theory, calling to bed’: Transpoetics After the Sign
(Un)containable Bodies: Experiments in Life-Writing and Form, post-1968
Milk to Gall: Representations of Angry Women on Page and Stage
Performing Pain: How Stand-Up Comedy Functions as an Autobiographical Performative Act of Self-Authorship and Resistance in Narrating Disability and Pain
Reclaiming Nüshu: A participatory method to reinterpret a Women’s Hidden Script in Rural China
Painting Critical-Creative Writing: J. M. Barrie, F. Scott Fitzgerald, and Zelda