Arta Barzanji
Concrete Abstractions: Film Criticism and Dialectical Thought
Concrete Abstractions: Film Criticism and Dialectical Thought
Parataxis and being within Cities - an investigation into minority experience and production of space within Dawson’s Height Estate
Crowd as Image, Crowd as Process: A contemporary reimagining of the crowd.
The Dynamics of Development: An Analysis of the Operation and Influence of Filmmaking Laboratories and Workshops.
Entangling Umwelten: Towards a New Ecology of Moving Images and Nonhuman Worlds
Canguilhem, Ruyer and Simondon – A Philosophy of Life Sciences à la Française
Archiving the Disaster: Preservation, Separation and Encounter
Revisiting Race and Thatcherism: the Second Life of the 1980-85 Uprisings on Screen
Moving Pictures, Music and Theatrical Exhibition in London, 1914–1930
Cinephilia’s “Horizontal Terrain”: Exploring Chinese Digital Cinephile Culture Through Pinglun
Dramatic Writing Practice and Pedagogy: Training the Contemporary Scriptwriter
Developing a TV Drama for the Misrepresented: British Female Arab Actors
Negotiating virtual spaces: Exploring the intersection of young people’s behaviour and identity across virtual and physical worlds through ethnographic filmmaking
Who is the Subject of Intersectionality? Intersectional Feminism and Structuralist Philosophies of the Subject
‘I have come to claim / Marilyn Monroe’s body’: Exploring Identification through Star Images in American Lyric Poetry.
Modular Audio Description: Using the extended track to enable personalisation for different audiences
Television Drama in Transition: Screen Two, the Single Play, and the Television Film
Tools for Persuasion: methods of storytelling in UK and US courtrooms
Knowing ourselves as embodied beings: Trans-forming Heidegger, Irigaray against Derrida
Dancing as Religious Embodiment: A Philosophical Perspective on Esotericism and Occultism in Early Modern Dance
Crisis of Ecology: The Co-Constitution of Science and Value
The notational: mental health and female identity in the diary films of Anne Charlotte Robertson
The Socialist Being of a Thing: The Concepts of Object and Structure in Soviet Constructivism and Bruno Latour's Legacy
Instituent Power: Social Structure and Political Practice in Roberto Esposito and Cornelius Castoriadis
An Archive of Fairies: Modernism, Fantasy, and Shy Ephemera 1890-1930
Death-style: An essay film investigation of 1980s images of gay male depravity through the lens of ‘queer negativity’
The Nita Harvey Archive: Hidden History, Experience and Objectification in the 1930s Hollywood Star System.
rub rub rub rub rub rub brush brush quiver oh hello, you: Queer Captioning as Material
The Geopower of Air and Fire: a Cultural Geography of Fiery Rituals in China
Cold Love: Can screened depictions of love between humans and robots legitimately contribute to debates regarding socio-ethical implications of HRI
Animals as builders: Exploring animal buildings as sites of agency, rights, and politics
‘Cleaving’ Queer Aesthetics: Contemporary Indian Performance at the Intersections of Caste, Gender and Sexual Politics.
Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas