Sam Kaufman
Entangling Umwelten: Towards a New Ecology of Moving Images and Nonhuman Worlds
Entangling Umwelten: Towards a New Ecology of Moving Images and Nonhuman Worlds
Moving Pictures, Music and Theatrical Exhibition in London, 1914–1930
Revisiting Race and Thatcherism: the Second Life of the 1980-85 Uprisings on Screen
The Weaponization of Beauty: British female film stars and the struggle for women’s agency 1938-1948
Television Drama in Transition: Screen Two, the Single Play, and the Television Film
Middle-class subjectivity and moral value in popular British screen fantasy
Modular Audio Description: Using the extended track to enable personalisation for different audiences
Representations of Single Motherhood in British Cinema, 1945-1970
Between The Practice and The Pedagogy of Dramatic Writing: Towards A Cohesive Approach to Training The Contemporary Scriptwriter
Tools for Persuasion: methods of storytelling in UK and US courtrooms
Developing a TV Drama for the Misrepresented: British Female Arab Actors
The notational: mental health and female identity in the diary films of Anne Charlotte Robertson
The Nita Harvey Archive: Hidden History, Experience and Objectification in the 1930s Hollywood Star System.
Death-style: An essay film investigation of 1980s images of gay male depravity through the lens of ‘queer negativity’
Cold Love: Can screened depictions of love between humans and robots legitimately contribute to debates regarding socio-ethical implications of HRI
‘Messianic Adaptation: Pier Paolo Pasolini’s Script for ‘San Paolo’’
Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas