Imogen Reeve
Revealing gender bias in generative AI through embodied and choreographic practices
Revealing gender bias in generative AI through embodied and choreographic practices
The Real Monster in ‘Sleeping Beauty’: An Examination of Aurora through the ‘Faces’ of the Monstrous-Feminine
‘I have come to claim / Marilyn Monroe’s body’: Exploring Identification through Star Images in American Lyric Poetry.
A Feminist Critique of the Veterinary Industry: working towards improved human and non-human welfare.
The notational: mental health and female identity in the diary films of Anne Charlotte Robertson
De/Constructing Identity: French, Italian, and British Gay Liberationism in the Long ‘68
Bridging the gap between affective and linguistic processing in foreign language learners
What defined photography in the late-nineteenth century printed press?: The presentation of photography as sequences of states and processes in illustrated magazines and the photographic press, 1880s-1890s
Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989
Reclaiming Nüshu: A participatory method to reinterpret a Women’s Hidden Script in Rural China
Fragmented Bodies, Fragmented Stories: Exploring Endometriosis Through Multidisciplinary Creative Practice to Challenge Cultural Narratives of Women's Pain
Beneath the Surface: Thinking with the Natural History Museum's Coral Collection to Explore Ecological Care in the Chagos Archipelago
Instituent Power: Social Structure and Political Practice in Roberto Esposito and Cornelius Castoriadis
Queering the Simulacrum: How Can Generative AI Video Practice Be Challenged and Elevated Through Queer Expanded Cinema
The Geopower of Air and Fire: a Cultural Geography of Fiery Rituals in China
I Woz Ere: An Intimate Look at the Forgotten Tower Blocks of the Edinburgh City Skyline
Complexity Theory’s Potential For Creative Writing: Open Systems, Nonlinearity, Chaos And Emergence In The Twenty-First Century Trauma Novel
Cinephilia Reconsidered: Exploring Chinese Digital Cinephile Culture Through Yingping
A Minor Autobiographical Tradition: Automemoir from Nineteenth-century France to Virtual Worlds’’
Dirty Work: Latin American Horror and the Invisible Violence of Domestic Servitude
‘Cleaving’ Queer Aesthetics: Contemporary Indian Performance at the Intersections of Caste, Gender and Sexual Politics.
Exploration into the features and characteristics of cognitive processing within multimodal “concept/puzzle advertisements”
‘Calling to theory, calling to bed’: Transpoetics After the Sign
Sensory Experience in the Contact Zone 1876 - 1938
Towards a decolonized future examining the meaning of solidarity alliance in settler states