Abbie Vickress
Pluralist Exhibition Design Methods: anti-colonial graphic design in British ethnographic museums.
Pluralist Exhibition Design Methods: anti-colonial graphic design in British ethnographic museums.
Between Tradition and Innovation: Women's Textiles in Venetia during the Fascist Era (1920s-1940s)
Selling Shippam's: Food Consumption, Visuality and Post-War Culture
Colonial modernity in Dongdaemun garment district and its fashion production (1910-2014)
Cultures of Hand-knitting in North India: Provenance, Domesticity and Gendered Learning, c.1850-1980
Publishing Feminism: Poli Gynaikon, Feminist Media, and the Transnational Exchange of Ideas
The making of a global arboretum: the case of the Royal Botanic Gardens, Kew
Employing the materiality of clothed bodies to ask for change: the social and political weight of Greenham Women’s dress (1981-2000).
Lolita: Fashioning Identity, Liberal Selves and the City
Transnational Studies of Interior Design Practice in South Korea from the 1960s to the 1980s
Black British History, Inclusive Teaching and Curriculum Reform
Human Hair as a Regenerative Material Resource: utilising protein fibre waste in the circular bioeconomy through interdisciplinary collaborative design practice
Photography by Train: New Leisure Experiences of Heritage in Britain, 1880s-1930s
Economies of Natural History: Publishing Science in Victorian and Edwardian Britain
From Ashes To Eternity - The Unknown Music Compositions of the Nazi Concentration Camps
The Micro-Histories of Rural Romano-Egyptian Households
Developing semi-permanent design displays in an era of rapid climate change
Moving Pictures, Music and Theatrical Exhibition in London, 1914–1930
Cruising the cut: Lesbian histories of mobility and queer futures of boat-dwelling on the UK's canals
Narrative navigatio of former nuns: Exploring stories of transgression, reflexivity and transcendence through life history
Wired for the War?: The Role of British Telegraphy and Communication Networks in World War II
Home Away from Home: Exploring 'neighbourliness' and community identities among British South Asians, 1960 to 2017
Where are all the Lesbians? In search of Lesbian Lives in Museums.
The Nita Harvey Archive: Hidden History, Experience and Objectification in the 1930s Hollywood Star System.
Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas
Television Drama in Transition: Screen Two, the Single Play, and the Television Film
Pride, Passengers and Personnel: Collecting LGBTQ+ Experiences in and on London’s Transport in the 1970s and 1980s.
Duplicates, Dispersal and Disposal in Museums
Reclaiming Nüshu: A participatory method to reinterpret a Women’s Hidden Script in Rural China
‘Crafting a Life’: examining the role of craft in lesbian dress and textiles through oral history, c.1963-2003
Resistance, Collaboration, and the Spaces in Between: the Internment of British Citizens in France, 1935-1955
Seeing the Funny Side: Slapstick, Visuality, and Victorian Literary Form
Dancing as Religious Embodiment: A Philosophical Perspective on Esotericism and Occultism in Early Modern Dance
Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989
An Analysis of Muhammad Marmaduke Pickthall’s Intellectual Thought in India; Exploring its Development and Contemporary Significance
I Woz Ere: An Intimate Look at the Forgotten Tower Blocks of the Edinburgh City Skyline
Global Humanitarianism: Quaker Aid to Refugees from Nazism, 1938-1945
Documenta 11: Art's Global Entanglement
Death-style: An essay film investigation of 1980s images of gay male depravity through the lens of ‘queer negativity’
Changing Dynamics of Shi'ism in Kashmir: Commemorative practices, Identity and Transnational Influences.
Caribbean Jazz: A Performative Discourse on the Roots, Rhythms, and Reach of Anglophone and Francophone Caribbean Jazz
Pride Flags and Queer Networks: The Making of the Transnational LGBTQ+ Community
Travelling Circus Animals: traversing boundaries of performer, pet and property 1822-1925
Human-Computer Counter-Choreographies
The Covent Garden Ladies: Life Beyond Harris’s List
The Socialist Being of a Thing: The Concepts of Object and Structure in Soviet Constructivism and Bruno Latour's Legacy
Experimental Book Arts: Re-interpreting the fluidities of Ukrainian identity in Eastern Europe, 1890s-1930s
A Cross-Century Communication between Elizabeth Gaskell and Virginia Woolf via “the Chinese Katherine Mansfield”: Narrative Legacy across Time and Space
Microhistories of the Holocaust and the Use of Family History: The Families Ganz / Brenzinger, c1871 - 1945
The 'Lost' Museum: The rise and fall of the British Empire in objects
Uncovering queer histories and dissonant sexualities in rural England, c.1800-1950
Nineteenth-century Ambivalence and the Gendered Body: A Practice-based Study of Dr James Barry
Speaking Truth to Power: A History of Galop and the LGBTQ Community's Responses to Violence
Exploration into the features and characteristics of cognitive processing within multimodal “concept/puzzle advertisements”
Adaptation of literature into opera as a reflection of Italian cultural imagination and identity.
“Lesbian?”... “She no Lebanese. She Punjabi!”: Tracing the experiences of working-class, queer British South Asian women, 1970s to 1990s
Literary Heritage and the Public Archives: The Diverse Women of Britain’s Special Operations Executive, F Section
The Biocultural Diaspora of Tea in the 21st Century
Milk to Gall: Representations of Angry Women on Page and Stage