Abbie Vickress
Pluralist Exhibition Design Methods: anti-colonial graphic design in British ethnographic museums.
Pluralist Exhibition Design Methods: anti-colonial graphic design in British ethnographic museums.
Between Tradition and Innovation: Women's Textiles in Venetia during the Fascist Era (1920s-1940s)
Colonial Coral: Design for Decolonising More-than-Human Worlds in the Natural History Museum
Selling Shippam's: Food Consumption, Visuality and Post-War Culture
Colonial modernity in Dongdaemun garment district and its fashion production (1910-2014)
Cultures of Hand-knitting in North India: Provenance, Domesticity and Gendered Learning, c.1850-1980
Publishing Feminism: Poli Gynaikon, Feminist Media, and the Transnational Exchange of Ideas
The making of a global arboretum: the case of the Royal Botanic Gardens, Kew
Employing the materiality of clothed bodies to ask for change: the social and political weight of Greenham Women’s dress (1981-2000).
Transnational Studies of Interior Design Practice in South Korea from the 1960s to the 1980s
Human Hair as a Regenerative Material Resource: utilising protein fibre waste in the circular bioeconomy through interdisciplinary collaborative design practice
Lolita: Fashioning Identity, Liberal Selves and the City
Photography by Train: New Leisure Experiences of Heritage in Britain, 1880s-1930s
Economies of Natural History: Publishing Science in Victorian and Edwardian Britain
Black British History, Inclusive Teaching and Curriculum Reform
Developing semi-permanent design displays in an era of rapid climate change
From Ashes To Eternity - The Unknown Music Compositions of the Nazi Concentration Camps
The Micro-Histories of Rural Romano-Egyptian Households
Moving Pictures, Music and Theatrical Exhibition in London, 1914–1930
Narrative navigatio of former nuns: Exploring stories of transgression, reflexivity and transcendence through life history
Wired for the War?: The Role of British Telegraphy and Communication Networks in World War II
Cruising the cut: Lesbian histories of mobility and queer futures of boat-dwelling on the UK's canals
Home Away from Home: Exploring 'neighbourliness' and community identities among British South Asians, 1960 to 2017
Where are all the Lesbians? In search of Lesbian Lives in Museums.
The Nita Harvey Archive: Hidden History, Experience and Objectification in the 1930s Hollywood Star System.
Television Drama in Transition: Screen Two, the Single Play, and the Television Film
Pride, Passengers and Personnel: Collecting LGBTQ+ Experiences in and on London’s Transport in the 1970s and 1980s.
Reclaiming Nüshu: A participatory method to reinterpret a Women’s Hidden Script in Rural China
‘Crafting a Life’: examining the role of craft in lesbian dress and textiles through oral history, c.1963-2003
Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas
Duplicates, Dispersal and Disposal in Museums
Seeing the Funny Side: Slapstick, Visuality, and Victorian Literary Form
Dancing as Religious Embodiment: A Philosophical Perspective on Esotericism and Occultism in Early Modern Dance
Global Humanitarianism: Quaker Aid to Refugees from Nazism, 1938-1945
Documenta 11: Art's Global Entanglement
I Woz Ere: An Intimate Look at the Forgotten Tower Blocks of the Edinburgh City Skyline
Resistance, Collaboration, and the Spaces in Between: the Internment of British Citizens in France, 1935-1955
Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989
An Analysis of Muhammad Marmaduke Pickthall’s Intellectual Thought in India; Exploring its Development and Contemporary Significance
Travelling Circus Animals: traversing boundaries of performer, pet and property 1822-1925
Changing Dynamics of Shi'ism in Kashmir: Commemorative practices, Identity and Transnational Influences.
Caribbean Jazz: A Performative Discourse on the Roots, Rhythms, and Reach of Anglophone and Francophone Caribbean Jazz
Human-Computer Counter-Choreographies
The Covent Garden Ladies: Life Beyond Harris’s List
Death-style: An essay film investigation of 1980s images of gay male depravity through the lens of ‘queer negativity’
Pride Flags and Queer Networks: The Making of the Transnational LGBTQ+ Community
The Socialist Being of a Thing: The Concepts of Object and Structure in Soviet Constructivism and Bruno Latour's Legacy
Experimental Book Arts: Re-interpreting the fluidities of Ukrainian identity in Eastern Europe, 1890s-1930s
A Cross-Century Communication between Elizabeth Gaskell and Virginia Woolf via “the Chinese Katherine Mansfield”: Narrative Legacy across Time and Space
Microhistories of the Holocaust and the Use of Family History: The Families Ganz / Brenzinger, c1871 - 1945
The 'Lost' Museum: The rise and fall of the British Empire in objects
Uncovering queer histories and dissonant sexualities in rural England, c.1800-1950
Nineteenth-century Ambivalence and the Gendered Body: A Practice-based Study of Dr James Barry
Speaking Truth to Power: A History of Galop and the LGBTQ Community's Responses to Violence
Exploration into the features and characteristics of cognitive processing within multimodal “concept/puzzle advertisements”
Adaptation of literature into opera as a reflection of Italian cultural imagination and identity.
“Lesbian?”... “She no Lebanese. She Punjabi!”: Tracing the experiences of working-class, queer British South Asian women, 1970s to 1990s
Literary Heritage and the Public Archives: The Diverse Women of Britain’s Special Operations Executive, F Section
The Biocultural Diaspora of Tea in the 21st Century
Milk to Gall: Representations of Angry Women on Page and Stage