Eve Barro
Colonial Coral: Design for Decolonising More-than-Human Worlds in the Natural History Museum
Colonial Coral: Design for Decolonising More-than-Human Worlds in the Natural History Museum
Duplicates, Dispersal and Disposal in Museums
‘Cleaving’ Queer Aesthetics: Contemporary Indian Performance at the Intersections of Caste, Gender and Sexual Politics.
Freedom Walks: Reanimating Ghanaian and West African Cultural Artefacts through Performance.
A Minor Autobiographical Tradition: Automemoir from Nineteenth-century France to Virtual Worlds’’
Curious Travellers and Ambivalent Performers: British Women Travellers and Orientalism in Kurdistan (1890-1940)
‘I have come to claim / Marilyn Monroe’s body’: Exploring Identification through Star Images in American Lyric Poetry.
Representations of Muslim Masculinities in Contemporary British and American Diaspora Novels
Mapping India’s Audio Description Practice within an emerging Art Museum Community: The Role of Professional Training on ‘Non-Expert’ Audio Description
Unfinishing: The Draft Poetics of Lyn Hejinian, Susan Howe, and Rachel Blau DuPlessis
Weather as Witness: Political Ecologies of Southeast Asia through a Curatorial Lens
Queer Whores: Embodied Knowledge and Performance Practices in Sex Work
Pluralist Exhibition Design Methods: anti-colonial graphic design in British ethnographic museums.
Selling Shippam's: Food Consumption, Visuality and Post-War Culture
'Two men on a summer night, with nowhere to call their own': ‘Affective Precarity’ in British Gay Men's Contemporary Fiction
What defined photography in the late-nineteenth century printed press?: The presentation of photography as sequences of states and processes in illustrated magazines and the photographic press, 1880s-1890s
Ecohorror and the work of Annie Proulx: Imagining Non-Human Trauma Victims
The Dynamics of Development: An Analysis of the Operation and Influence of Filmmaking Laboratories and Workshops.
Entangling Umwelten: Towards a New Ecology of Moving Images and Nonhuman Worlds
Echoes in the Anthropocene: ecological sound art and ecosocialist activism in Brazil
Colonial modernity in Dongdaemun garment district and its fashion production (1910-2014)
Developing a TV Drama for the Misrepresented: British Female Arab Actors
Transnational Studies of Interior Design Practice in South Korea from the 1960s to the 1980s
Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989
Global Humanitarianism: Quaker Aid to Refugees from Nazism, 1938-1945
‘Calling to theory, calling to bed’: Transpoetics After the Sign
A Cross-Century Communication between Elizabeth Gaskell and Virginia Woolf via “the Chinese Katherine Mansfield”: Narrative Legacy across Time and Space
Adaptation of literature into opera as a reflection of Italian cultural imagination and identity.
Narrative navigatio of former nuns: Exploring stories of transgression, reflexivity and transcendence through life history
Human-Computer Counter-Choreographies
Knowing ourselves as embodied beings: Trans-forming Heidegger, Irigaray against Derrida
L’ Orecchio Teso L’ Occhio Sordo, A Regenerative Curatorial Practice Within The IsIAO Colonial Photographic Archive