
Anne Nielsen
Duplicates, Dispersal and Disposal in Museums
Duplicates, Dispersal and Disposal in Museums
Colonial Coral: Design for Decolonising More-than-Human Worlds in the Natural History Museum
A Minor Autobiographical Tradition: Automemoir from Nineteenth-century France to Virtual Worlds’’
Freedom Walks: Reanimating Ghanaian and West African Cultural Artefacts through Performance.
On Our Own Behalf: Theory, Strategy, and Practice within the Disabled People’s Movement in Britain
Curious Travellers and Ambivalent Performers: British Women Travellers and Orientalism in Kurdistan (1890-1940)
Mapping India’s Audio Description Practice within an emerging Art Museum Community: The Role of Professional Training on ‘Non-Expert’ Audio Description
Representations of Muslim Masculinities in Contemporary British and American Diaspora Novels
Ecohorror and the work of Annie Proulx: Imagining Non-Human Trauma Victims
Unfinishing: The Draft Poetics of Lyn Hejinian, Susan Howe, and Rachel Blau DuPlessis
Pluralist Exhibition Design Methods: anti-colonial graphic design in British ethnographic museums.
Weather as Witness: Political Ecologies of Southeast Asia through a Curatorial Lens
Developing a TV Drama for the Misrepresented: British Female Arab Actors
Transnational Studies of Interior Design Practice in South Korea from the 1960s to the 1980s
Entangling Umwelten: Towards a New Ecology of Moving Images and Nonhuman Worlds
A Cross-Century Communication between Elizabeth Gaskell and Virginia Woolf via “the Chinese Katherine Mansfield”: Narrative Legacy across Time and Space
Adaptation of literature into opera as a reflection of Italian cultural imagination and identity.
Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989
Global Humanitarianism: Quaker Aid to Refugees from Nazism, 1938-1945
Narrative navigatio of former nuns: Exploring stories of transgression, reflexivity and transcendence through life history
Knowing ourselves as embodied beings: Trans-forming Heidegger, Irigaray against Derrida
Human-Computer Counter-Choreographies
L’ Orecchio Teso L’ Occhio Sordo, A Regenerative Curatorial Practice Within The IsIAO Colonial Photographic Archive