Adrianna Chmielewska
Adaptation of literature into opera as a reflection of Italian cultural imagination and identity.
Adaptation of literature into opera as a reflection of Italian cultural imagination and identity.
Duplicates, Dispersal and Disposal in Museums
Narrative navigatio of former nuns: Exploring stories of transgression, reflexivity and transcendence through life history
On Our Own Behalf: Theory, Strategy, and Practice within the Disabled People’s Movement in Britain
Mapping Messengers: The work, urban mobility, and lived experiences of London motorcycle despatch riders, 1970 – 2000.
Curious Travellers and Ambivalent Performers: British Women Travellers and Orientalism in Kurdistan (1890-1940)
Ecohorror and the work of Annie Proulx: Imagining Non-Human Trauma Victims
Representations of Muslim Masculinities in Contemporary British and American Diaspora Novels
Freedom Walks: Reanimating Ghanaian and West African Cultural Artefacts through Performance.
Unfinishing: The Draft Poetics of Lyn Hejinian, Susan Howe, and Rachel Blau DuPlessis
The Geopower of Air and Fire: a Cultural Geography of Fiery Rituals in China
Transnational Studies of Interior Design Practice in South Korea from the 1960s to the 1980s
Literary Heritage and the Public Archives: The Diverse Women of Britain’s Special Operations Executive, F Section
Entangling Umwelten: Towards a New Ecology of Moving Images and Nonhuman Worlds
Colonial Coral: Design for Decolonising More-than-Human Worlds in the Natural History Museum
Global Humanitarianism: Quaker Aid to Refugees from Nazism, 1938-1945
Knowing ourselves as embodied beings: Trans-forming Heidegger, Irigaray against Derrida
Human-Computer Counter-Choreographies