Supraja Ramesh
‘Cleaving’ Queer Aesthetics: Contemporary Indian Performance at the Intersections of Caste, Gender and Sexual Politics.
‘Cleaving’ Queer Aesthetics: Contemporary Indian Performance at the Intersections of Caste, Gender and Sexual Politics.
Beneath the Surface: Thinking with the Natural History Museum's Coral Collection to Explore Ecological Care in the Chagos Archipelago
Curious Travellers and Ambivalent Performers: British Women Travellers and Orientalism in Kurdistan (1890-1940)
Duplicates, Dispersal and Disposal in Museums
Representations of Muslim Masculinities in Contemporary British and American Diaspora Novels
Queer Whores: Embodied Knowledge and Performance Practices in Sex Work
Unfinishing: The Draft Poetics of Lyn Hejinian, Susan Howe, and Rachel Blau DuPlessis
Painting Critical-Creative Writing: J. M. Barrie, F. Scott Fitzgerald, and Zelda
'Two men on a summer night, with nowhere to call their own': ‘Affective Precarity’ in British Gay Men's Contemporary Fiction
Instituent Power: Social Structure and Political Practice in Roberto Esposito and Cornelius Castoriadis
Ecohorror and the work of Annie Proulx: Imagining Non-Human Trauma Victims
The Dynamics of Development: An Analysis of the Operation and Influence of Filmmaking Laboratories and Workshops.
Sensory Worlds, Moving Images and Encounters at the Limit
Echoes in the Anthropocene: ecological sound art and ecosocialist activism in Brazil
Transnational Studies of Interior Design Practice in South Korea from the 1960s to the 1980s
De/Constructing Identity: French, Italian, and British Gay Liberationism in the Long ‘68
Narrative navigatio of former nuns: Exploring stories of transgression, reflexivity and transcendence through life history
Towards a decolonized future examining the meaning of solidarity alliance in settler states
Global Humanitarianism: Quaker Aid to Refugees from Nazism, 1938-1945
‘Calling to theory, calling to bed’: Transpoetics After the Sign
Adaptation of literature into opera as a reflection of Italian cultural imagination and identity.
‘I have come to claim / Marilyn Monroe’s body’: Exploring Identification through Star Images in American Lyric Poetry.
Human-Computer Counter-Choreographies
Knowing ourselves as embodied beings: Trans-forming Heidegger, Irigaray against Derrida
L’ Orecchio Teso L’ Occhio Sordo, A Regenerative Curatorial Practice Within The IsIAO Colonial Photographic Archive