
Miles Pissarro
"On Disability": Using my composite novel to depict a phenomenological account of the "Disability Experience" through auto-ethnographic reflections
"On Disability": Using my composite novel to depict a phenomenological account of the "Disability Experience" through auto-ethnographic reflections
Party Girl Gets Sick: Using Autofiction to Navigate Modern Issues of Identity and Illness
Unfinished Business: A study into the narrative techniques used to represent relationships between university-educated mothers and daughters in contemporary fiction
A study into the narrative techniques used to convey non-physical childhood sexual abuse and trauma in contemporary Western fiction
Nineteenth-century Ambivalence and the Gendered Body: A Practice-based Study of Dr James Barry
Image Without Resemblance: combining co-creative artwork description practices, divergent mimesis and post-modern narrative technique towards an anti-ocularcentric writing methodology.
Design Activism – Exploring Creative Repertoires for Public Participation
Between Art and Writing: Translating meaning through the ‘text-as-host’ in contemporary art writing practice
Sites of Art Writing: Tonalities in ‘Post-Conflict’ Northern Ireland
(Un)containable Bodies: Experiments in Life-Writing and Form, post-1968
Art, resistance, and healing: on the potentials of using the Creative Change Laboratory (CCoLAB) among queer youth in Brighton
The notational: mental health and female identity in the diary films of Anne Charlotte Robertson
The Author is Present: Contemporary Bio-Memoir (2010-2020)
Undefinable: Performance and the Radical Practice of Generative Neurodiversity
‘Messianic Adaptation: Pier Paolo Pasolini’s Script for ‘San Paolo’’
Sensory Experience in the Contact Zone 1876 - 1938
A Cross-Century Communication between Elizabeth Gaskell and Virginia Woolf via “the Chinese Katherine Mansfield”: Narrative Legacy across Time and Space
Exploration into the features and characteristics of cognitive processing within multimodal “concept/puzzle advertisements”